{"id":485,"date":"2022-06-08T17:51:03","date_gmt":"2022-06-08T17:51:03","guid":{"rendered":"https:\/\/almsforoblivion.com\/?page_id=485"},"modified":"2026-03-19T18:00:17","modified_gmt":"2026-03-19T18:00:17","slug":"all-tunes","status":"publish","type":"page","link":"https:\/\/almsforoblivion.com\/?page_id=485","title":{"rendered":"all tunes"},"content":{"rendered":"\n

<\/p>\n\n\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Title Link<\/th>Chords Link<\/th>O (Origin)<\/th>R (Rhythm)<\/th>D (Recordings)<\/th>K (Key)<\/th>\n<\/tr>\n<\/thead>\n
The ’38 Hurricane<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
Le 24 juin<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>quadrille<\/td>Bruno Kowalczyk<\/a>
Philippe Bruno<\/a>
Mary Kay Brass 2-part<\/a><\/td>		Gmaj
\nGmin
\nGmaj<\/td>\n<\/tr>\n
Le 24 juin @ contra<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>quadrille<\/td>Bruno Kowalczyk<\/a>
Philippe Bruno<\/a>
Mary Kay Brass 2-part<\/a><\/td>		Gmin
\nGmaj
\nGm
\nGmaj<\/td>\n<\/tr>\n
5-4-3<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Six-huit de Andr\u00e9 Alain<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Abandonn\u00e9<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>jam session<\/a>
Pascal Gemme teaching<\/a><\/td>		Emin<\/td>\n<\/tr>\n
After the Ball<\/a><\/td>[]<\/a><\/td>Tin Pan Alley<\/td>waltz<\/td><\/td>Gmaj
\nDmaj<\/td>\n<\/tr>\n
l’Air mignonne<\/a><\/td>[]<\/a><\/td>modern<\/td>air<\/td>Lesson – Roxanna Sabir<\/a>
Simon Riopel – composer<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
All Children Should Be Girls<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
All The Rage<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Caroline McCaskey with Larry Unger<\/a><\/td>Emaj<\/td>\n<\/tr>\n
Allie Crocker’s Reel<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Amelia’s<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
And the Cat Came Back<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Anna Roberts-Gevalt http:\/\/info.therealschoolofmusic.com\/traditional-music-project\/cat-came-back\/
Anna Roberts-Gevalt Joe DeJarnette https:\/\/youtu.be\/TQyPAw-lk9A<\/td>		Gmaj<\/td>\n<\/tr>\n
Andy M.Stewart’s Reel<\/a><\/td>[]<\/a><\/td><\/td><\/td><\/td>Dmaj<\/td>\n<\/tr>\n
L’Ange aux Patins<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>Pascal Gemme<\/a>
Melbourne Scottish Fiddlers<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Angeline The Baker<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Angeline the Vampire<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Archibald McDonald of Keppoch<\/a><\/td>[]<\/a><\/td>Scotland<\/td>waltz<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Archie Menzies<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>reel<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
The Arran Boat Song<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td><\/td>Edor<\/td>\n<\/tr>\n
As a thoiseach<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Ashokan Farewell<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
At Long Last<\/a><\/td>[]<\/a><\/td>Bluegrass<\/td>waltz<\/td><\/td>D<\/td>\n<\/tr>\n
Atholl Highlanders<\/a><\/td>[]<\/a><\/td>Scottish<\/td>Jig<\/td>Sarah Loughran<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Avalon Quickstep<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
La Baillard<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>Amaj<\/td>\n<\/tr>\n
The Ballyvourney<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Amix<\/td>\n<\/tr>\n
Banish Misfortune<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmix<\/td>\n<\/tr>\n
Banks Hornpipe<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Eb<\/td>\n<\/tr>\n
Banks Hornpipe @ Doucet<\/a><\/td>[]<\/a><\/td><\/td>hornpipe<\/td><\/td>Eb<\/td>\n<\/tr>\n
Banks Hornpipe @ G<\/a><\/td>[]<\/a><\/td><\/td>hornpipe<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Banks Hornpipe @ McGann<\/a><\/td>[]<\/a><\/td>Scottish<\/td>hornpipe<\/td>Andy McGann & Paul Brady (1977), Shanachie 29009, side B track 2
Andy McGann and Paul Brady<\/a><\/td>		Eb<\/td>\n<\/tr>\n
The Banks Of Lough Gowna<\/a><\/td>[]<\/a><\/td>Ireland<\/td>jig<\/td><\/td>Bmin<\/td>\n<\/tr>\n
The Banshee<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Barde<\/td>Gmaj<\/td>\n<\/tr>\n
Baridhara<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
Barlow Knife<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Barracuda<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Eloise & Co.<\/a>
Becky Tracy<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
La Bastringue<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Batchelder’s Reel<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Battle Cry of Freedom<\/a><\/td>[]<\/a><\/td>American<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Bay of Fundy<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td>Luc Richard fiddle and piano. w\/Mason’s Apron<\/a>
Lissa Schneckenburger, Bethany Waickman w\/Reel de Montreal<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Beatrice Hill’s Three-Handed Reel<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Bedlam Boogie<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
Behind The Bush In The Garden<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Andy McGann & Paddy Reynolds with Paul Brady \u2013 Fiddle Duet (Traditional Music Of Ireland), Shanachie 29004 (1976)
Andy McGann, Paddy Reynolds, Paul Brady<\/a>
Alasdair Fraser & Natalie Haas<\/a><\/td>		Ador<\/td>\n<\/tr>\n
Behind the Haystack<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Belfast Hornpipe<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Believe Me If All Those Endearing Young Charms<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td>John McCormack vocal<\/a>
Vivian and Phil Williams, fiddle<\/a>
[John McCormack vocal, 1911](https:\/\/www.youtube.com\/watch?v=mwrtSKllca4<\/td>		Cmaj<\/td>\n<\/tr>\n
La Belle Catherine<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Andre Brunet, et al. w\/La Rachoudine<\/a>
Pitnacree, w\/Reel de Mattawa<\/a>
Andre Brunet, demo\/lesson<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
La belle Catherine \u00e0 \u00c9douard Richard<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>D<\/td>\n<\/tr>\n
La Belle Gasp\u00e9sie<\/a><\/td>[]<\/a><\/td>Qu\/ebec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
La Belle Isa<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>polka<\/td><\/td>Amix<\/td>\n<\/tr>\n
Belle M\u00e8re’s Waltz<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
The Belles about the Flat Bush<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Bergerette: Sans Roch<\/a><\/td>[]<\/a><\/td><\/td>bour\u00e9e<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Beth Cohen’s<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>C _b ^c<\/td>\n<\/tr>\n
Big John McNeil<\/a><\/td>[]<\/a><\/td><\/td><\/td><\/td>Amaj<\/td>\n<\/tr>\n
Big Sciota<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Aly Bain & Jay Ungar et al<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Bill Cheatham<\/a><\/td>[]<\/a><\/td>Bluegrass<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Bill Sullivan’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Billy in the Lowground<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
The Black Cat Jig<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Dan Compton and Lisa Ornstein<\/a>
Portland Collection<\/a><\/td>		Dmin<\/td>\n<\/tr>\n
Blackberry Blossom<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe<\/td>Natalie McMaster<\/a>
bluegrass<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Blackberry Blossom @ Eddy<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Rachel Eddy on fiddle, with Walkin’ in My Sleep<\/a>
Kerry Blech’s history with examples<\/a><\/td>		Gmix<\/td>\n<\/tr>\n
Blackberry Blossom @ jam<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmix<\/td>\n<\/tr>\n
BLACKBIRD 88B.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>slow march<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Blackest Crow<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>waltz<\/td><\/td>Emin<\/td>\n<\/tr>\n
THE BLACKSMITH 69.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel, polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Blarney Pilgrim<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmix<\/td>\n<\/tr>\n
The Blazer<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Blood Red Wing<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Gmin<\/td>\n<\/tr>\n
Blue Island<\/a><\/td>[]<\/a><\/td><\/td>jig<\/td><\/td>Ddor<\/td>\n<\/tr>\n
The Blue Jig<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Scenic Roots<\/a><\/td>Amin<\/td>\n<\/tr>\n
Bog an Lochan<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>strathspey<\/td><\/td>Emin<\/td>\n<\/tr>\n
BONAPARTE CROSSING THE ALPS 89.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td><\/td>Ador<\/td>\n<\/tr>\n
Bonaparte Crossing the Rhine<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td>Lynn Shaw<\/a>
Old Town School<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Bonaparte’s Retreat<\/a><\/td>[]<\/a><\/td>American Old Time<\/td><\/td><\/td>Gmaj<\/td>\n<\/tr>\n
BONAPARTE’S RETREAT 86.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td><\/td>Amin<\/td>\n<\/tr>\n
BONAPARTE’S RETREAT 87.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Bonnie at Morn<\/a><\/td>[]<\/a><\/td>Northumbria<\/td>waltz<\/td>fiddle & melodeon, sweet<\/a><\/td>Amin<\/td>\n<\/tr>\n
Bonnie Charlie<\/a><\/td>[]<\/a><\/td>Scotland<\/td>hornpipe, reel<\/td><\/td>Dm<\/td>\n<\/tr>\n
Bonnie Nancy<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Bonnie Kate<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
THE BONNY MAID 15.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Booth Shot Lincoln<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Boston’s<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>The Four Idots<\/a><\/td>Amaj
\nEmin<\/td>\n<\/tr>\n
The Boys Of Bluehill<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Boy’s Lament for his Dragon<\/a><\/td>[]<\/a><\/td>Scottish<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Boy’s Lament for his Dragon @ MadCoCo<\/a><\/td>[]<\/a><\/td>Scottish<\/td>march<\/td>Liz Faiella<\/a>
with Robertson’s<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Brandy \u00e0 \u00c9douard Richard<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>brandy<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne”<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Brenda Stubbert’s Reel<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>reel<\/td>Patty Kusturock<\/a><\/td>Ador<\/td>\n<\/tr>\n
Bretonia<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
Briarpicker Brown<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Br\u00f6llopsg\u00e5rden<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>polska<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
A Bruxa<\/a><\/td>[]<\/a><\/td>Galicia<\/td>mazurka<\/td>Phoebe Rees<\/a>
Paul Kotapish & Moving Cloud Orchestra Am<\/a>
Alisdair Fraser & Natalie Haas<\/a><\/td>		Emin<\/td>\n<\/tr>\n
Buffalo Gals<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Old Town School<\/a>
Old Town School<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
BUFFALO GALS 1A.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
BUFFALO GALS 1B.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Bus Stop<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Keltricity<\/a><\/td>Amin<\/td>\n<\/tr>\n
The Butterfly<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td>Bothy Band: 1975.<\/td>Edor<\/td>\n<\/tr>\n
The Butterfly @ MJ<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
BUTTERMILK AND CIDER 18.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Cache tes fesses<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>6\/8<\/td>Andr\u00e9 Brunet lesson<\/a>
Alexis Chartrand – baroque<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Calliope House @ D<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>by the composer<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Calliope House @ E<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>by the composer<\/a><\/td>Emaj<\/td>\n<\/tr>\n
Callipygian<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Amin<\/td>\n<\/tr>\n
Camp Meeting on the Fourth of July<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td>Southern String Band performance<\/a>
Fiddle: Bill See, Banjo: Glenn Godsey, Guitar: Mike Long<\/a>
Hard Cider String Band at Fiddler’s Grove<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Canyon Moonrise<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Emin<\/td>\n<\/tr>\n
Captain Campbell<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>strathspey<\/td><\/td>Amin<\/td>\n<\/tr>\n
Carolan’s Concerto (D major)<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td>1971: The Chieftains: Chieftains 3
1991: The Wolfe Tones: Spirit of the Nation
2001: Celtic Fiddle Festival: Rendevous<\/td>		Dmaj<\/td>\n<\/tr>\n
Casadh An Ts\u00fag\u00e2in<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Catharsis<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>on the beach<\/a><\/td>Gmin<\/td>\n<\/tr>\n
The Caucus Reel<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td>Caoimh\u00edn \u00d3 Feargha\u00edl & Brian Mooney<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Ceol Anna<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Amin<\/td>\n<\/tr>\n
Le Chat Noir<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmin<\/td>\n<\/tr>\n
Cherryburn<\/a><\/td>[]<\/a><\/td>English<\/td>waltz<\/td>Derek Hobbs, “Bewick’s Footsteps: A Garland of New Tunes”, Rossleigh Music (1995)<\/td>Gmaj<\/td>\n<\/tr>\n
Chester<\/a><\/td>[]<\/a><\/td><\/td>air<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Chester’s Ditty<\/a><\/td>[]<\/a><\/td><\/td>jig<\/td><\/td>Gmin<\/td>\n<\/tr>\n
The Chickadees’ Polka<\/a><\/td>[]<\/a><\/td>modern<\/td>polka<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Chickadee’s Polka @ MadCoCo<\/a><\/td>[]<\/a><\/td>modern<\/td>polka<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Chicken Under the Washtub<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>The Sweet Lowdown<\/a><\/td>Ddor
\nDmix<\/td>\n<\/tr>\n
Chicken Under the Washtub @ Williams<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Winter Moon (1990) Vivian Williams, Phil Williams & Harley Bray, CDBaby
Vivian Williams<\/a><\/td>		Dmaj
\nDmix<\/td>\n<\/tr>\n
Childgrove @ Hardy<\/a><\/td>[]<\/a><\/td>English<\/td>march<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Childgrove @ Playford<\/a><\/td>[]<\/a><\/td>English<\/td>march<\/td><\/td>Ddor<\/td>\n<\/tr>\n
Childgrove @ Waugh<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Ddor<\/td>\n<\/tr>\n
The Choice Wife<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td>Zoe Conway & Meabh O’Hare<\/a>
Liam Flynn (1995) The Given Note; Tara Music<\/td>		Dmix<\/td>\n<\/tr>\n
Chorus Jig<\/a><\/td>[]<\/a><\/td>New England<\/td>reel<\/td><\/td>Dmix
\nGmaj
\nDmaj
\nGmaj<\/td>\n<\/tr>\n
Ciel D’automne<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Clear River Waltz<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>waltz<\/td><\/td>Ddor<\/td>\n<\/tr>\n
Cliffs of Moher<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Foinn Seisun<\/a><\/td>Ador<\/td>\n<\/tr>\n
Clog de Pariseau<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Sabin Jacques, Gabriel Labb\u00e9 et al in Bm\/D<\/a>
Liam Robinson in F#m\/A<\/a><\/td>		F#min<\/td>\n<\/tr>\n
Clog de Pariseau @ re mineur<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Sabin Jacques, Gabriel Labb\u00e9 et al in Bm\/D<\/a>
Liam Robinson in F#m\/A<\/a><\/td>		Bmin<\/td>\n<\/tr>\n
CLOUD’S REEL 57.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Cluck Old Hen<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
Cock O’ The North<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td>Gordon Highlanders, pipes and drums<\/a>
melodeon<\/a>
fiddle, slow<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Coffee<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Chalkboard Poets<\/a><\/td>Ador<\/td>\n<\/tr>\n
Cold Frosty Morning<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Old Town School<\/a><\/td>Ador<\/td>\n<\/tr>\n
Coleman’s March<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Coleraine<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>lesson<\/a><\/td>Amin<\/td>\n<\/tr>\n
Colored Aristocracy<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Comb Your Hair And Curl It<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Edor<\/td>\n<\/tr>\n
Combination Rag<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>rag<\/td>East Texas Serenaders<\/a>
Columbia 15229-D (78 RPM), East Texas Serenaders (1928)
East Texas Serenaders Document CD DOCD 8031<\/td>		Cmaj<\/td>\n<\/tr>\n
Coming Home With the Girls in the Morning<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Jane Rothfeld<\/a><\/td>Ddor<\/td>\n<\/tr>\n
La Complainte du Folkloriste<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Con Cassidy’s Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Altan (1990) The Red Crow, Track 2<\/td>Dmix<\/td>\n<\/tr>\n
The Concertina Reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Congress reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Fr. Matthew McCarthy<\/a>
Kevin Burke-Open House<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Connaughtman’s Rambles<\/a><\/td>[]<\/a><\/td>Ireland<\/td>jig<\/td>with Morrison’s and Kesh<\/a><\/td>Bmin<\/td>\n<\/tr>\n
Cooley’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Cotillion de Baie-Ste-Catherine<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
THE COTTAGE BY THE SEA, or THE RED HEADED GIRL 70.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel, polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Country Waltz<\/a><\/td>[]<\/a><\/td>Australian<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Cowboy Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>The Good Tune<\/a><\/td>A<\/td>\n<\/tr>\n
Crested Hens<\/a><\/td>[]<\/a><\/td>French<\/td>waltz<\/td>Solas, as a slow air<\/a>
Gitar Cafe Concert in Istanbul, low whistle<\/a>
Solas – A Celtic Tapestry vol.2 – Shanachie 2005<\/td>		Edor<\/td>\n<\/tr>\n
Cripple Creek<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Tommy Jarrell and Kyle Creed<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Crockett’s Honeymoon<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Crockett’s Kentucky Mountaineers<\/a>
Tashina Claridge et al<\/a>
Crockett’s Mountaineers, in a long medley<\/a>
The tune was the middle of a medley, with “Old Molly Hare,”
in Los Angeles, Nov. 1928, as “Medley of Old-Time Dance Tunes Part I.”
Brunswick 291 (78 RPM). Crockett Family Mountaineers (1928)
Yazoo 2200, Crockett’s Kentucky Mountaineers – Kentucky
Mountain Music, vol. 3 (2003)<\/td>		Gmaj<\/td>\n<\/tr>\n
Crossing To Ireland<\/a><\/td>[]<\/a><\/td>Scotland<\/td>waltz<\/td>Classic Cuts, Breton Books & Music, Wreck Cove, Cape Breton Island, Nova Scotia, B0C 1H0<\/td>Edor
\nEmin<\/td>\n<\/tr>\n
Crow Creek<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Cuckoo’s Nest @ MJ<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
THE CUCKOO’S NEST 8A.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
THE CUCKOO’S NEST 8B.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Cuffed and Dragged<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Cuil Aodha Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Cumberland Gap<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Cup Of Tea<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Curvy Road To Corinth<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Katie Jan Lubens<\/a><\/td>Edor<\/td>\n<\/tr>\n
Cut Knife Hill<\/a><\/td>[]<\/a><\/td>M\u00e9tis<\/td>reel<\/td>two cellos<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Cutting Ferns<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>Strathspey<\/td><\/td>Amin<\/td>\n<\/tr>\n
Cutting a Slide<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Damhsadh Bhradain Roaig<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
DANCE TUNE 24.<\/a><\/td>[]<\/a><\/td>American Old-Time<\/td>jig<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
DANCE TUNE 25.<\/a><\/td>[]<\/a><\/td>American Old-Time<\/td>jig<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
DANCE TUNE 26.<\/a><\/td>[]<\/a><\/td>American Old-Time<\/td>jig<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
DANCE TUNE 68.<\/a><\/td>[]<\/a><\/td>American Old-Time<\/td>polka, reel<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
The Dancer<\/a><\/td>[]<\/a><\/td>New England<\/td>waltz<\/td>Toss the Possum, very tango<\/a><\/td>Emin<\/td>\n<\/tr>\n
The Dancing Bear<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
December March<\/a><\/td>[]<\/a><\/td>modern<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Dedicado a Jos<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Bottine Souriante<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Denis Murphy’s Polka<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Les deux Lisa<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Andr\u00e9 Brunet lesson<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
The Devil In The Strawstack<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gdor<\/td>\n<\/tr>\n
Devil’s Dream<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Devlin’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Bmin<\/td>\n<\/tr>\n
Le diable vert<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Diamond<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Jig Dimanche Apr\u00e8s Midi<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td>Tunescape<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Dinky Dorrian’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Altan: Horse with a Heart.
De Dannan: .<\/td>		Amix<\/td>\n<\/tr>\n
Don’t You Remember the Time<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>waltz<\/td>Freeny’s Barn Dance Band<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Don’t You Remember the Time @ Harmony<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>waltz<\/td>Freeny’s Barn Dance Band<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Doon the Brae<\/a><\/td>[]<\/a><\/td>Scottish<\/td>march<\/td><\/td>Amin<\/td>\n<\/tr>\n
Doon the Brae @ MJ<\/a><\/td>[]<\/a><\/td>Scottish<\/td>marc<\/td><\/td>Emin<\/td>\n<\/tr>\n
Dorset Four Hand Reel<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
DOWN YONDER 74.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>polka, reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
Dragger’s Reel<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td>Eddy Arsenault<\/a>
Andr\u00e9 Brunet<\/a>
Charlie Walden<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
DREAM SONG 28.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Drowsy Maggie<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>EDor<\/td>\n<\/tr>\n
THE DRUNKEN HICCOUGHS 52.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Drunken Landlady<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>EDor<\/td>\n<\/tr>\n
Dry and Dusty<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Dubuque<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Duck River<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td>Atlas String Band – Strong Shoulders<\/td>Dmaj<\/td>\n<\/tr>\n
Ducks on the Millpond<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Ducks on the Pond<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
The Dusty Windowsill<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
The Earl’s Chair<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
East Tennessee Blues<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
The Easy Club<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
The Easy Club Reel<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Ebenezer<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Eileen O’Riordan’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>slide<\/td><\/td>Amix<\/td>\n<\/tr>\n
El Paso Waltz<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Elftune<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td><\/td>Dmix
\nDmaj<\/td>\n<\/tr>\n
Eli Green’s Cakewalk @ 1898<\/a><\/td>[]<\/a><\/td>Tin Pan Alley<\/td>ragtime<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Eli Green’s Cakewalk @ leadsheet<\/a><\/td>[]<\/a><\/td>Tin Pan Alley<\/td>ragtime<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Elijah Harper’s Reel<\/a><\/td>[]<\/a><\/td>M\u00e9tis<\/td>reel<\/td>Jamie Fox<\/a><\/td>Dmin<\/td>\n<\/tr>\n
Elzic’s Farewell<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>French Carpenter<\/a>
Kanawha 301, French Carpenter – “Elzic’s Farewell” (1978. Originally recorded 1963).<\/td>		Ador<\/td>\n<\/tr>\n
Emma’s Waltz<\/a><\/td>[]<\/a><\/td>Finnish<\/td>waltz<\/td>a little mannered, but good<\/a>
nice variations, but in Dm<\/a>
Fergal<\/a><\/td>		Amin<\/td>\n<\/tr>\n
En fumant ma pipe<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Pascal Gemme<\/a>
\u00c9-T-\u00c9, live, great fun<\/a>
busking at Jean Talon Market<\/a>
Pour la Suite du Monde movie<\/a><\/td>		Ador<\/td>\n<\/tr>\n
\u00c9vit Gabrielle @ Gemme<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Pascal Gemme – Patreon<\/a><\/td>Emin<\/td>\n<\/tr>\n
\u00c9vit Gabriel @ ?<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
Fading Light<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Demo & Lesson<\/a><\/td>Em<\/td>\n<\/tr>\n
Fair Jenny’s Jig<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Fairhaired Mary<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Falls Of Richmond<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Down Trodden String Band<\/a><\/td>Ador
\nAmaj<\/td>\n<\/tr>\n
Falls of Richmond @ MJ<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>air<\/td><\/td>Ador
\nAmix
\nAdor<\/td>\n<\/tr>\n
Fanny Power @simple<\/a><\/td>[]<\/a><\/td>Irish<\/td><\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Fanny Power<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Far Away<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>Japanese!<\/a><\/td>Bmin<\/td>\n<\/tr>\n
Far From Home<\/a><\/td>[]<\/a><\/td>Shetland<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Farewell to Heb<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Farewell to Whiskey<\/a><\/td>[]<\/a><\/td>Scottish<\/td>air<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Farewell Trion<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
FAREWELL TO WHISKEY 72.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel, polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Father Kelly’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
La F\u00e9e des Dents<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td>ensemble, De Temps Antan<\/a>
Andr\u00e9 Brunet<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
The Fermoy Lasses<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>live in a bar<\/a><\/td>Emin<\/td>\n<\/tr>\n
Fiery Clockface<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
A Fig For A Kiss<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td>Altan<\/a><\/td>Edor<\/td>\n<\/tr>\n
FINE TIMES AT OUR HOUSE 76.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
Finlay M. MacRae – Air<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td><\/td>Amin<\/td>\n<\/tr>\n
Finlay M. MacRae – March<\/a><\/td>[]<\/a><\/td>Irish<\/td>march<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
The Finnish Polka<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>polka<\/td>Kevin Burke<\/a>
Ievan Polkka a capella<\/a>
lumberjack band, 1952<\/a><\/td>		Bmin<\/td>\n<\/tr>\n
FIRE IN THE MOUNTAIN 10.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Fisher’s Hornpipe @ Alain<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>hornpipe<\/td>Danse ce Soir<\/a><\/td>Fmaj<\/td>\n<\/tr>\n
Fisher’s Hornpipe @ D<\/a><\/td>[]<\/a><\/td>English<\/td>hornpipe<\/td>Old Town School<\/a>
Vi Wickam’s Fiddle Tune a Day<\/a>
crooked, from Laurie Hart<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Fisher’s Hornpipe @ F<\/a><\/td>[]<\/a><\/td>English<\/td>hornpipe<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Fitzmaurice Polka<\/a><\/td>[]<\/a><\/td>modern<\/td>polka<\/td><\/td>Fmaj
\nCmaj<\/td>\n<\/tr>\n
The Five Roads<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td>Nightingale – the Coming Dawn<\/td>Emin<\/td>\n<\/tr>\n
Fleur De Mandragore<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Fleur De Mandragore @ Danse ce Soir<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Fleur De Mandragore @ Pascal Gemme<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Flodigarry Island<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Bmin<\/td>\n<\/tr>\n
Flop Eared Mule<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Flowers of Edinburgh<\/a><\/td>[]<\/a><\/td>Scottish<\/td>air<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
THE FLOWERS OF EDINBURGH 54.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Fly Around My Pretty Little Miss<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>New Lost City Ramblers<\/a>
slow demo OTS<\/a>
Rhonda Kemp<\/a>
Carol Ormand calling<\/a>
jam<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Flying Cloud Cotillion<\/a><\/td>[]<\/a><\/td>New England<\/td>reel<\/td>Kirk Sutphin and Bertram Levy<\/a><\/td>Gmaj
\nDmaj<\/td>\n<\/tr>\n
Flying Home To Shelly<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Forked Deer<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Taylors Kentucky Boys<\/a>
Bruce Molsky, multi part<\/a>
Lightning in the East, five parts<\/a>
Old Town School<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
FORTY MILES 92.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig-time march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Forty-two Pound Cheque<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Four Stroke Reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Fox Family Reel<\/a><\/td>[]<\/a><\/td>M\u00e9tis<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Foxhunter’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Frank’s Reel<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td>Fergal Scahill<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Frenchie’s Reel<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Charlie Walden<\/a>
Patty Kusturock<\/a><\/td>		Bbmaj<\/td>\n<\/tr>\n
Les Fr\u00e8res Pigeon<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Bmin<\/td>\n<\/tr>\n
The Frog in the Well<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Frosty Morning<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
La Galope \u00e0 Jean-Louis<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>galope<\/td>Gaston Nolet – RQF<\/a><\/td>Am<\/td>\n<\/tr>\n
La Galope des Folkloristes<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Galope de Jules Verret<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Galope de la Malbaie<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Bal \u00e0 huile<\/a>
R\u00c9SEAU QU\u00c9BEC FOLKLORE<\/a>
Jos Bouchard<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Galope du repertoire de Gaston Nolet<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td><\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Galway Hornpipe<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td>Andy McGann and Paul Brady (as McDermott’s)<\/a>
fiddle and guitar (with Belfast Hornpipe)<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
The Gander In The Pratie Hole<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmix<\/td>\n<\/tr>\n
Garfield’s Blackberry Blossom<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Rachel Eddy on fiddle, with Walkin’ in My Sleep<\/a><\/td>Gmix<\/td>\n<\/tr>\n
Garfield’s Blackberry Blossom @ 2<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Garret Barry’s Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Foinn Seisi\u00fan<\/a><\/td>Dmix<\/td>\n<\/tr>\n
Gasp\u00e9 Reel<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Louis Beaudoin<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Gasp\u00e9 Reel @ Soucy<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Louis Beaudoin<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Gasp\u00e9 Reel @ MadCoCo<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Louis Beaudoin<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
The Geese In The Bog<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
George Brabazon First Air<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Gigue des Capuchons<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td>Serge Carrier, melodeon<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Gigue du D\u00e9mon<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gigue du Diamant Bleu<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gigue double<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>brandy<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>D<\/td>\n<\/tr>\n
Gigue du Forgeron<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gigue de M. Blanchette<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gigue de Madame Saint Germain<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gigue du P\u00e8re Mathias<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gigue du Plateau Mont-Royal @ accord\u00e9on<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>[Carmen Gu\u00e9rard & Laurel Risk with stepdancers] (https:\/\/www.youtube.com\/watch?v=PzDQL6d8OeA)
[Marie-Jeanne Brousseau & Timi Turmel, killer button box and piano] (https:\/\/www.youtube.com\/watch?v=A8iv-wNxjSE)<\/td>		F#phr
\nAmaj<\/td>\n<\/tr>\n
Gigue du Plateau Mont-Royal<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>gigue<\/td>Carmen Gu\u00e9rard & Laurel Risk with stepdancers<\/a>
Marie-Jeanne Brousseau & Timi Turmel, killer button box and piano<\/a><\/td>		F#phr
\nAmaj<\/td>\n<\/tr>\n
Gigue du Plateau Mont-Royal @ TT<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>gigue<\/td>Marie-Jeanne Brousseau & Timi Turmel, killer button box and piano<\/a>
Carmen Gu\u00e9rard & Laurel Risk with stepdancers<\/a><\/td>		F#phr
\nAmaj<\/td>\n<\/tr>\n
Gigue du Plateau Mont-Royal @ violon<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>gigue<\/td>Carmen Gu\u00e9rard & Laurel Risk with stepdancers<\/a>
Marie-Jeanne Brousseau & Timi Turmel, killer button box and piano<\/a><\/td>		F#phr
\nAmaj<\/td>\n<\/tr>\n
Gigue du Salon<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>6\/8<\/td>Pascal Gemme<\/a>
New Leaf<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Gigue de Terrebonne<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gillian’s Reel<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Gillies’ Taxis<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gingerhogs No.2<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Amaj<\/td>\n<\/tr>\n
The Girl I Left Behind Me<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Old Town School<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Girls in a Summer Garden<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Give Me Your Hand<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td>Octave mandolin & English concertina<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
A Glint of Silver<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>BMin<\/td>\n<\/tr>\n
Goin’ Down to Cairo<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>fiddle & banjo, slow<\/a>
lesson, Bob Borcherding<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Golden Slippers<\/a><\/td>[]<\/a><\/td>minstrel<\/td>reel<\/td>[Old Town School, slow with harmony demo](https:\/\/www.oldtownschool.org\/fiddle\/fun\/<\/td>Gmaj<\/td>\n<\/tr>\n
Golden Slippers @ D<\/a><\/td>[]<\/a><\/td>minstrel<\/td>reel<\/td>[Old Town School, slow with harmony demo](https:\/\/www.oldtownschool.org\/fiddle\/fun\/<\/td>Dmaj<\/td>\n<\/tr>\n
The Golden Ticket<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Eric Merrill composer<\/a>
Roger Netherton<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Golem’s Slippers<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Gmin<\/td>\n<\/tr>\n
Grand Chien<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
La grande chaine<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Louis Beaudoin & family<\/a>
fiddle lesson<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
La Grande Gigue Simple<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>brandy<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Grands Pieds<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Alexis Chartrand & Nicoilas Babineau<\/a>
Alexis Chartrand & Nicoilas Babineau live<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Greasy Coat<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Augusta, Anna Roberts-Gevalt et al,<\/a>
Edden Hammons<\/a><\/td>		Ador<\/td>\n<\/tr>\n
Greasy Coat @ Levenson<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Augusta, Anna Roberts-Gevalt et al,<\/a>
Edden Hammons<\/a><\/td>		Ador
\nAmix<\/td>\n<\/tr>\n
Green Grows the Laurel<\/a><\/td>[]<\/a><\/td>American<\/td>song<\/td>Dolores Keane<\/td>Dmix<\/td>\n<\/tr>\n
Green Mountain Petronella<\/a><\/td>[]<\/a><\/td>New England<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Green Mountain Petronella @ Miller<\/a><\/td>[]<\/a><\/td>New England<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Green Willis<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td>Fuzzy Mountain String Band<\/a>
Old Town School<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Greencastle Hornpipe @ D<\/a><\/td>[]<\/a><\/td>English<\/td>hornpipe<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Greencastle Hornpipe @ G<\/a><\/td>[]<\/a><\/td>English<\/td>hornpipe<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Grey Eagle @ FF<\/a><\/td>[]<\/a><\/td>Texas<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Grey Eagle @ Taylor’s<\/a><\/td>[]<\/a><\/td>Kentucky<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Grondeuse \u00e0 Wilfred<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Babineau – Chartrand<\/a><\/td>Amix<\/td>\n<\/tr>\n
Grosse Roche<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>Ador<\/td>\n<\/tr>\n
Growling Old Man and Grumbling Old Woman<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Louis Beaudoin<\/a>
Hope Grietzer with Dannielle Spindler Swart in a living room<\/a>
Colby Maddox, demo for Old Town School<\/a>
Pierre Schryer band<\/a><\/td>		Ador
\nAmix<\/td>\n<\/tr>\n
Growling Old Man and Grumbling Old Woman @ MJ<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Louis Beaudoin<\/a>
Hope Grietzer with Dannielle Spindler Swart<\/a>
Old Town School demo<\/a>
Pierre Schryer band<\/a><\/td>		Amin
\nAmix<\/td>\n<\/tr>\n
Growling Old Man and Grumbling Old Woman @ MadCoCo<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Louis Beaudoin<\/a>
Hope Grietzer with Dannielle Spindler Swart<\/a>
Old Town School demo<\/a>
Pierre Schryer band<\/a><\/td>		Amin
\nAmix<\/td>\n<\/tr>\n
Gr\u00e0dh Mo Chridhe Mo Nighean Donn<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td><\/td>Amin<\/td>\n<\/tr>\n
La Guenille<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
La Gueussinette<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>Tidal Wave\/Raz-de-Mar\u00e9e<\/a>
“Gussie” on piano<\/a>
Raz de Mar\u00e9e (2007) Tidal Wave, track 2<\/td>		Bmin<\/td>\n<\/tr>\n
GUILDEROY 85.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
The Halting March<\/a><\/td>[]<\/a><\/td>Irish<\/td>march<\/td><\/td>Ador<\/td>\n<\/tr>\n
Hamlet’s Rebuttal<\/a><\/td>[]<\/a><\/td>Modern<\/td>reel<\/td>Cosmic Otters<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Hangman’s Reel @ MJ<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Hangman’s Reel @ Northcutt<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Bill Northcutt, Bill Clemmons, Doc Hamilton (1968) Old Time Hoedown; Stoneway STY 103
Albert Hash<\/a>
[Jean Carignan]https:\/\/www.youtube.com\/watch?v=gT3DctGzUhI<\/td>		Amaj<\/td>\n<\/tr>\n
Hardiman the Fiddler<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Dmix<\/td>\n<\/tr>\n
H\u00e5rg\u00e5laten<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>polska<\/td><\/td>Amin<\/td>\n<\/tr>\n
HARRY COOPER 32.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Harvest Home<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Hash Brown<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmix<\/td>\n<\/tr>\n
Haste to the Wedding<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td>Springfield Technical Community College<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
HASTE TO THE WEDDING 22.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Haymakers<\/a><\/td>[]<\/a><\/td>England<\/td><\/td><\/td>Ador<\/td>\n<\/tr>\n
The Haymakers @ Neal 1726<\/a><\/td>[]<\/a><\/td>England<\/td><\/td><\/td>Amin<\/td>\n<\/tr>\n
The Headlands<\/a><\/td>[]<\/a><\/td>Scottish<\/td>march<\/td>Fiona Cuthill, workshop demo<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Hector the Hero @ Bb<\/a><\/td>[]<\/a><\/td>Scottish<\/td>air<\/td>Hanneke Cassel, lovely and haunting<\/a>
Edinburgh Military Tattoo<\/a>
pipes<\/a><\/td>		Bb<\/td>\n<\/tr>\n
Hector the Hero<\/a><\/td>[]<\/a><\/td>Scottish<\/td>air<\/td>Hanneke Cassel, lovely and haunting<\/a>
[Transatlantic Sessions, Jenna Reid, Aly Bain and Phil Cunningham] [https:\/\/www.youtube.com\/watch?v=TCwut-wg7fE]
Edinburgh Military Tattoo<\/a>
pipes<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Hector the Hero @ 6-8<\/a><\/td>[]<\/a><\/td>Scottish<\/td>air<\/td>Hanneke Cassel, lovely and haunting<\/a>
Edinburgh Military Tattoo<\/a>
pipes<\/a>
[Transatlantic Sessions, Jenna Reid, Aly Bain and Phil Cunningham] [https:\/\/www.youtube.com\/watch?v=TCwut-wg7fE]<\/td>		Amaj<\/td>\n<\/tr>\n
Hell Up Coal Holler @ 1<\/a><\/td>[]<\/a><\/td>American Old Time<\/td><\/td><\/td>Cmaj<\/td>\n<\/tr>\n
Hewlett<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td>Planxty<\/a>
lesson<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
High Clouds<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>David Kaynor+<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
HIGH LEVEL (HORNPIPE) 55.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe, reel<\/td><\/td>Bb<\/td>\n<\/tr>\n
Highland Harry<\/a><\/td>[]<\/a><\/td>Irish<\/td>strathspey<\/td><\/td>Ador<\/td>\n<\/tr>\n
The Highlander’s Farewell to Ireland<\/a><\/td>[]<\/a><\/td>Irish<\/td>strathspey<\/td>Alistair Fraser & Natalie Haas<\/a><\/td>Ador<\/td>\n<\/tr>\n
The Highlander’s Farewell To Ireland<\/a><\/td>[]<\/a><\/td>Scottish<\/td>strathspey<\/td>Liz Faiella<\/a><\/td>Ador<\/td>\n<\/tr>\n
Highlander’s Farewell<\/a><\/td>[]<\/a><\/td>American Old-Time<\/td>reel<\/td>Alasdair Graser Natalie Haas<\/a><\/td>Ador<\/td>\n<\/tr>\n
The Hippodrome<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmaj
\nBbmaj<\/td>\n<\/tr>\n
HOG EYE AN’ A ‘TATER 75.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amin<\/td>\n<\/tr>\n
Home with the Girls in the Morning<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Deseret String Band<\/a>
Bob Wills<\/a>
Tricia Spencer & Howard Rains<\/a><\/td>		Ddor<\/td>\n<\/tr>\n
Homeward Bound<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Hommage \u00e0 la belle Gasp\u00e9sie<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Hommage \u00e0 Doroth\u00e9e<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Bmin<\/td>\n<\/tr>\n
Hommage \u00e0 Doroth\u00e9e @ Bruneau<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Bmin<\/td>\n<\/tr>\n
Hommage \u00e0 Edmond Pariso<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Pascal Gemme and Friends<\/a>
Bottine Souriante<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Hommage \u00e0 Jimmy De Genova<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>Waltz<\/td>Rachel Aucoin & Laurel Risk<\/a>
Bruno Kowalczyk<\/a><\/td>		Bmin<\/td>\n<\/tr>\n
Hommage \u00e0 Jos Bouchard<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>6\/8<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Hommage \u00e0 Philippe Bruneau<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>La Bottine Souriante<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
THE HONEYCOMB ROCK 11A.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td><\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The House in Rose Valley<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>EMin<\/td>\n<\/tr>\n
Howlin’ Bill<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Hull’s Victory<\/a><\/td>[]<\/a><\/td>New England<\/td>march<\/td>Rodney Miller<\/a><\/td>Fmaj<\/td>\n<\/tr>\n
The Humours of Ballyloughlin<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj
\nDmaj<\/td>\n<\/tr>\n
The Humours of Glendart<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Hundred Pipers<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td>Michael Muir<\/a>
The Good Tune<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Hunting the Buffalo @ A<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Hunting the Buffalo @ D<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Huntingtone Castle<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>march<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
I Buried my Wife and Danced On Top of Her Grave<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Martin Hayes<\/a>
Foinn Session<\/a><\/td>		Dmix<\/td>\n<\/tr>\n
I Lost My Love<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>jig<\/td><\/td>Amin<\/td>\n<\/tr>\n
I Miss the California Climate<\/a><\/td>[]<\/a><\/td>Modern<\/td>reel<\/td>Cosmic Otters<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
I Ne’er Shall Wean Her<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
I’ll Buy Boots For Maggie<\/a><\/td>[]<\/a><\/td>Ireland<\/td>reel<\/td>Billy McComiskey<\/a>
Chris Vitas<\/a><\/td>		Amin<\/td>\n<\/tr>\n
I’LL DANCE A JIG AND I’LL DANCE NO MORE 7.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Amix<\/td>\n<\/tr>\n
Indian Corn<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Chirps Smith and Stephanie Coleman<\/a>
Arto Jarvela, harmony for above<\/a>
Bigfoot String Band (Rhys Jones)<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Inisheer<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Inisheer @MadCoCo<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Inishowen<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td>with Danny McLaughlin<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Inishowen jig<\/a><\/td>[]<\/a><\/td><\/td>jig<\/td><\/td>Bmin<\/td>\n<\/tr>\n
The Inter-Island<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Bmin<\/td>\n<\/tr>\n
The Irish Jaunting Car<\/a><\/td>[]<\/a><\/td>Irish<\/td>march<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Irish March<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Issoudun<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Archetype Trad & Claude Meth\u00e9<\/a><\/td>Amaj<\/td>\n<\/tr>\n
It’s Only a Model<\/a><\/td>[]<\/a><\/td><\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
It’s So Quiet Waltz<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Itzikel<\/a><\/td>[]<\/a><\/td>Klezmer<\/td>frailach<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Itzikel<\/a><\/td>[]<\/a><\/td>Eastern European<\/td>frailach<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Jack’s River Song<\/a><\/td>[]<\/a><\/td>modern<\/td>air<\/td><\/td>Bb<\/td>\n<\/tr>\n
Jackson Stomp<\/a><\/td>[]<\/a><\/td>jug band<\/td>reel<\/td>Mississippi Mud Steppers (1930)Jackson Stomp\/Alma Waltz; OKEH 45504<\/td>Amaj<\/td>\n<\/tr>\n
Jacky Tar<\/a><\/td>[]<\/a><\/td>Scottish<\/td>hornpipe<\/td><\/td>Emin<\/td>\n<\/tr>\n
Jammin’ the Breaks<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Amin<\/td>\n<\/tr>\n
The Jay Bird @ fife<\/a><\/td>[]<\/a><\/td>Fife and Drum<\/td>march<\/td>fife and drum<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Jaybird<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Jeff City<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Jefferson and Liberty<\/a><\/td>[]<\/a><\/td>New England<\/td>jig<\/td>Lissa Schneckenburger<\/a><\/td>Ador<\/td>\n<\/tr>\n
Jenny Dang The Weaver<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Jenny Lind<\/a><\/td>[]<\/a><\/td>American Popular<\/td>polka<\/td>Edward II – recording<\/a>
Edward II – Live<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Jenny Lind @ Edward II<\/a><\/td>[]<\/a><\/td>USA<\/td>polka<\/td>Edward II – recording<\/a>
Edward II – Live<\/a>
dead link?<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Jenny Lind @ Hardy<\/a><\/td>[]<\/a><\/td>American Popular<\/td>polka<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Jenny’s Chickens<\/a><\/td>[]<\/a><\/td>Ireland<\/td>reel<\/td>Andy McGann & Paul Brady<\/a><\/td>Bdor<\/td>\n<\/tr>\n
Jig of Slurs<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td>Hanneke Cassel<\/a><\/td>Dmaj
\nGmaj<\/td>\n<\/tr>\n
Jimmy in the Swamp<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Old Town School<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
JINNY IN THE LOWLANDS 4.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
John Cunningham’s Return to Edinburgh<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Relativity<\/td>Cmaj<\/td>\n<\/tr>\n
JOHN NEWGRANT COME HOME WITH A PAIN IN HIS HEAD 94.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
John Stenson’s #2<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Johnny Docherty’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Johnny Doherty’s March<\/a><\/td>[]<\/a><\/td>Irish<\/td>march<\/td>Shanachie 78048 track 2a<\/td>Edor<\/td>\n<\/tr>\n
Johnny and Dorothy Livingston<\/a><\/td>[]<\/a><\/td>Scottish<\/td>march<\/td>Mairi Campbell<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
JOHNNY GET YOUR HAIR CUT 71.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel, polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Johnny Harling’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Josefin’s Dopvals<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>waltz<\/td>by the composer, live, with V\u00e4sen<\/a><\/td>Fmaj<\/td>\n<\/tr>\n
Josefin’s Dopvals @ D<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>waltz<\/td>by the composer, live, with V\u00e4sen<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Josefin’s Dopvals @ G<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>waltz<\/td>by the composer, live, with V\u00e4sen<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Joys of Quebec<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Ward Allen – very fast<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Judy and Jim’s Wedding<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>Indianapolis Ceili Band<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Julia Delaney<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Eileen who-needs-backup Ivers<\/a>
Fergal Scahill’s tune a day<\/a><\/td>		Dmin<\/td>\n<\/tr>\n
Julia Delaney @ MJ<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Eileen who-needs-backup Ivers<\/a>
Fergal Scahill’s tune a day<\/a><\/td>		Dmin<\/td>\n<\/tr>\n
Julianne Johnson<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Julianne Johnson @ Portland<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Jump at the Sun<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td>slow<\/a>
John Kirkpatrick (composer)<\/a><\/td>		Emin<\/td>\n<\/tr>\n
June Apple<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Doc Watson and David Holt<\/a>
Michael Daves & Friends<\/a><\/td>		AMix<\/td>\n<\/tr>\n
Kansas City Reel<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Dan Levenson at jam in Tucson<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Karapyet<\/a><\/td>[]<\/a><\/td>Eastern European<\/td>reel<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Karis Pers polska<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>polska<\/td>Dalarnas Spelmansf\u00f6rbund<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Katushka<\/a><\/td>[]<\/a><\/td>Eastern European<\/td>reel<\/td><\/td>Amin<\/td>\n<\/tr>\n
Keel Row<\/a><\/td>[]<\/a><\/td>English<\/td>hornpipe<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Kemp’s jig<\/a><\/td>[]<\/a><\/td>Playford<\/td>reel<\/td>Jan Akkerman<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Kenneth Murphy<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Kentucky Waltz<\/a><\/td>[]<\/a><\/td>Bluegrass<\/td>waltz<\/td>song<\/a>
instrumental<\/a>
Charlie Walden teaching<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
The Kerfunken<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Kesh<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>The Bothy Band – iconic<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
The Kid on the Mountain<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Emin<\/td>\n<\/tr>\n
Killavil Fancy<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>The Barra MacNeils – Traditional Album
Pierre Schreyer – New Canadian Waltz<\/td>		Gmaj<\/td>\n<\/tr>\n
King Of The Fairies<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td>Liz Faiella<\/a>
Valar<\/a><\/td>		Edor<\/td>\n<\/tr>\n
King George IV<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>strathspey<\/td><\/td>Amin
\nAmix<\/td>\n<\/tr>\n
The King’s Reel<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>reel<\/td><\/td>AMix<\/td>\n<\/tr>\n
THE KING’S HEAD 21.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Kitchen Girl<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>OT<\/a>
Old Town School<\/a><\/td>		Amix
\nAdor<\/td>\n<\/tr>\n
Kitty McGee<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Klickitat<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Korobushka<\/a><\/td>[]<\/a><\/td>Eastern European<\/td>reel<\/td><\/td>Gmin<\/td>\n<\/tr>\n
Lady Of The Lake<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Dmix<\/td>\n<\/tr>\n
Lady of the Lake @ Ashby<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>County 727, John Ashby – Old Virginia Fiddling (1971)
John Ashby<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Lament for Adina’s Car<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Lament of The First Generation<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td>Liz Carroll with Steve Cooney<\/a><\/td>DMix<\/td>\n<\/tr>\n
Lamplighter’s Hornpipe<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
LANEY TUNIN’ HIS FIDDLE 29.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Langstrom’s Pony<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>le Ceolt\u00f3iri Cult\u00farlainne<\/a><\/td>Amix<\/td>\n<\/tr>\n
LARDNER’S REEL 20.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
LEATHER BREECHES 16.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Leather Britches<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Tim Gardner & David Holt<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Levi Jackson Rag<\/a><\/td>[]<\/a><\/td><\/td>rag<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Liberty<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Bob Wills<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Life’s Fortune<\/a><\/td>[]<\/a><\/td>Old Time<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Lilting Banshee<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>One out of the Fort, Johnny Henry – Fiddle (listed as Whistling Banshee)<\/td>Ador<\/td>\n<\/tr>\n
Little Burnt Potato<\/a><\/td>[]<\/a><\/td>Canadian<\/td>jig<\/td>Graham Townsend<\/a>
Natalie Padilla<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
LITTLE HORNPIPE 34.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
LITTLE HORNPIPE 34.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Little Liza Jane<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>J.P. and Annadeene Fraley<\/a><\/td>Amaj<\/td>\n<\/tr>\n
The Little Princess Footsteps<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
Little Rabbit<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Crockett’s Kentucky Mountaineers<\/a>
Crown 3172 (78 RPM). Crockett’s Kentucky Mountaineers (1931)
Yazoo 2200, Crockett’s Kentucky Mountaineers – Kentucky Mountain Music, vol. 1 (2003)<\/td>		Amaj<\/td>\n<\/tr>\n
Liza Jane<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Loch Leven Castle<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>hornpipe<\/td><\/td>Amin<\/td>\n<\/tr>\n
The Log-Splitter’s Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
THE LOP-EARED MULE 56.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Lorena<\/a><\/td>[]<\/a><\/td><\/td>air<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Lost My Love<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>jig<\/td><\/td>Amin<\/td>\n<\/tr>\n
Lost Partridge<\/a><\/td>[]<\/a><\/td>Kentucky<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Louis Cyr<\/a><\/td>[]<\/a><\/td>Quebec<\/td>reel<\/td>jam<\/a>
Sur le bout deu banc<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Louis Waltz<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Da Lounge Bar<\/a><\/td>[]<\/a><\/td>Shetland<\/td>jig<\/td>Annlaug Borsheim w\/ Rannveig Dj\u00f8nne<\/a>
3 part anglo-scandi<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
The Lucky Trapper<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Maam<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Ddor<\/td>\n<\/tr>\n
MacArthur Road<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Fergal Scahill<\/a><\/td>Emaj<\/td>\n<\/tr>\n
MACDONAHUE’S HORNPIPE 73.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe, reel<\/td><\/td>D<\/td>\n<\/tr>\n
MAGGOTS IN THE SHEEP HIDE 62.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
MAGGOTS IN THE SHEEP HIDE 63.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
MAGGOTS IN THE SHEEP HIDE 64.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj
\nDmaj<\/td>\n<\/tr>\n
Magic Foot<\/a><\/td>[]<\/a><\/td>modern<\/td>hornpipe<\/td><\/td>Amaj<\/td>\n<\/tr>\n
The Magnetic Reel<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Magpie<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Fuzzy Mountain String Band<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Maguire and Paterson<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td>Sharon Shannon & Alan Connor<\/a>
composer Robbie Overson on guitar<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Mairi’s Wedding<\/a><\/td>[]<\/a><\/td>Scottish<\/td>strathspey<\/td>Pressley Girls<\/a>
Sarah Loughran<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
La Maison de Gl\u00e2ce<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td>R\u00e9jean & Andr\u00e9 Brunet<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Man Eater<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Field recording by John Harrod c. 1975
John Masters<\/a>
John Harrod’s recording of John Masters<\/a>
Aisha Ivey and Chuck Levy<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
March of St Timothy<\/a><\/td>[]<\/a><\/td>modern<\/td>march<\/td>contradance in Flanders<\/a>
accordion<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
MARCH TUNE (THE SECOND PART OF RANAHAN’S MARCH) 91.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Marche Alexis<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Marche au camp @ MS<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Marche au camp @ F<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td>Yann Falquet & Eric Boodman @Fiddle Hell<\/a>
Hart, Sandell, Marchand<\/a><\/td>		Fmaj<\/td>\n<\/tr>\n
Marche au camp @ G<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td>Yann Falquet & Eric Boodman @Fiddle Hell<\/a>
Hart, Sandell, Marchand<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Marche \u00e0 Qu\u00eateux Pomerleau<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td>Lisa Ornstein<\/a>
Andr\u00e9 Brunet, demo<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Marche des \u00e9l\u00e8ves<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Marching Through Georgia<\/a><\/td>[]<\/a><\/td>Civil War<\/td>march<\/td>Jay Unger and Molly Mason<\/a>
Songs Of The Civil War \u2117 1991 Sony Music Entertainment Inc.<\/td>		Cmaj<\/td>\n<\/tr>\n
Margaret’s Waltz<\/a><\/td>[]<\/a><\/td>English<\/td>waltz<\/td>Aly Bain and Peerie Willie Johnston<\/a>
Buddy McMaster<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Margaret’s Waltz @ MadCoCo<\/a><\/td>[]<\/a><\/td>English<\/td>waltz<\/td>Aly Bain and Peerie Willie Johnston<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Marie Jeanne Gabrielle<\/a><\/td>[]<\/a><\/td>Breton<\/td>waltz<\/td>sung by composer Louis Capart<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Mazurka Des \u00c9coliers De Saint Genest<\/a><\/td>[]<\/a><\/td><\/td>mazurka<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Mazurka De Gilles Chabenat<\/a><\/td>[]<\/a><\/td><\/td>slip jig<\/td><\/td>Dmin<\/td>\n<\/tr>\n
THE MCCLELLANTOWN HORNPIPE 11B.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>G<\/td>\n<\/tr>\n
THE MCCLELLANTOWN HORNPIPE 11B.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Le M\u00e9canicien<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Merrily Kiss The Quaker<\/a><\/td>[]<\/a><\/td>Irish<\/td>slide<\/td>Planxty<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
The Merry Blacksmith<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Metsakukkia<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>waltz<\/td>Caf\u00e9 Musique<\/a>
Jay Ungar & Molly Mason<\/a><\/td>		Gmin<\/td>\n<\/tr>\n
Michael’s Mazurka<\/a><\/td>[]<\/a><\/td>Shetland<\/td>mazurka<\/td>Heather Swanson with Jacqueline Schwab<\/a>
Susan Reid, David Kaynor & friends<\/a>
Fiddler’s Bid<\/a><\/td>		Gmaj
\nGdor ^F
\nGmaj<\/td>\n<\/tr>\n
Midnight On The Water<\/a><\/td>[]<\/a><\/td>Texas<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Miller’s Reel<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Miss Lyall’s<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>strathspey<\/td><\/td>Amin<\/td>\n<\/tr>\n
Miss McLeod’s<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Miss Monahan’s Reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Miss Shepherd<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td>[Hanneke Cassel][https:\/\/youtu.be\/sgZjeAZ_enQ?si=xQc0meNKPVerUL3E&t=14]<\/td>Amin<\/td>\n<\/tr>\n
The Missing Title<\/a><\/td>[]<\/a><\/td>English Country Dance<\/td>strathspey<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Mississippi Palisades<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Chirps Smith () Home Recordings v.2
Chirps, Demo<\/a>
Chirps, Slow<\/a>
Chirps and Charlie Walden<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Mississippi Sawyer<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Mississippi Sawyer @ MJ<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Moccasin Shuffle<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td>Jamie Fox with Scotty Leach and Cameron DeWitt<\/a>
Rachel Aucoin from Frank Ferrel, end of A is short<\/a>
Robichaud Brothers (1996) The Slippery Stick: Traditional Fiddling from New Brunswick, Rounder Records: Rounder CD 7016<\/td>		Amin<\/td>\n<\/tr>\n
Mominette<\/a><\/td>[]<\/a><\/td>France<\/td>schottische<\/td><\/td>Emin<\/td>\n<\/tr>\n
The Monaghan<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Edor<\/td>\n<\/tr>\n
Money in Both Pockets<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>George Penk, Clyde Curley & Susan Songer – A Portland Selection<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Money Musk<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td>Bring Back Mony Musk<\/a>
David Kaynor with Lissa Schneckenburger and Becky Tracy<\/a>
Betsy Branch & David Kaynor<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Money Musk (simplified)<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td>Bring Back Mony Musk<\/a>
David Kaynor with Lissa Schneckenburger and Becky Tracy<\/a>
Betsy Branch & David Kaynor<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
The Moon And The Seven Stars<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td>Stewart Hardy<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Moonlight on the River Colorado @ F<\/a><\/td>[]<\/a><\/td><\/td><\/td><\/td>Fmaj<\/td>\n<\/tr>\n
La Moquine<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Zigue, Musique de Coeur, 2017 trak 5 @4:44
Zigue<\/a>
E.T.E., Le boire des minuits, 2017 (track 10@3:34)
\u00c9T\u00c9<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
the Morning Dew<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Morpeth Rant<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td>solo fiddle<\/a>
fiddle, concertina, accordion, guitar – from Jakarta!<\/a>
melodeon<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Morrison’s Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Edor<\/td>\n<\/tr>\n
Motel Henry<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Beantown Stomp<\/a>
Elixir<\/a>
Alexis Chartrand<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Mountain House<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Mountain House @ G<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Mouth of the Tobique @ leadsheet<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td>Sharon Shannon (1998) Spellbound: the Best of Sharon Shannon, Daisy (with Lad O’Beirne’s and Dowd’s Favorite)
Mari Black demo and lesson – not French Canadian<\/a>
Don Messer – earliest recording?<\/a>
Patty Kusturock with Frank Ferrell<\/a>
Sharon Shannon w\/Win Horan et al<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
The Mouth of the Tobique<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td>Patty Kusturock with Frank Ferrell<\/a>
Don Messer – earliest recording?<\/a>
Sharon Shannon (1998) Spellbound: the Best of Sharon Shannon, Daisy (with Lad O’Beirne’s and Dowd’s Favorite)
Mari Black demo and lesson – not French Canadian<\/a>
Sharon Shannon w\/Win Horan et al<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
MUDDY WATER 43.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe, reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Mui\u00f1eira De Chantada<\/a><\/td>[]<\/a><\/td>Galicia<\/td>muineira<\/td><\/td>Dmin
\nDmaj<\/td>\n<\/tr>\n
Murray River Jig<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>jig<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Music for a Found Harmonium<\/a><\/td>[]<\/a><\/td>American<\/td>reel<\/td><\/td>Dmaj
\nFmaj
\nDmaj<\/td>\n<\/tr>\n
The Musical Priest<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Bdor<\/td>\n<\/tr>\n
Must She Keep Playing That<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Bmin<\/td>\n<\/tr>\n
My Cape Breton Home<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>waltz<\/td>Jerry Holland<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
My Darling Asleep<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Le M\u00e9canicien<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Nail that Catfish to a Tree<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Steve Rosen, slow<\/a>
Volo Bogtrotters demo<\/a>
Volo Bogtrotters, performance<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Nail that Catfish to a Tree @madcoco<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Steve Rosen, slow<\/a>
Volo Bogtrotters demo<\/a>
Volo Bogtrotters, performance<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
NAPOLEON CROSSING THE RHINE 88A.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>slow march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Needlecase<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Dan Levenson<\/a>
Bob Carlin<\/a><\/td>		D<\/td>\n<\/tr>\n
Never Far Away<\/a><\/td>[]<\/a><\/td><\/td>air<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Never Stop Dancing<\/a><\/td>[]<\/a><\/td><\/td><\/td><\/td>Cmix<\/td>\n<\/tr>\n
The New Brunswick<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>slide<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The New Leaf<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Da New Rigged Ship<\/a><\/td>[]<\/a><\/td>Shetland<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
The New Rigged Ship<\/a><\/td>[]<\/a><\/td>Shetland<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Newcastle<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td>the Broadside Band<\/a>
Alan Jabbour<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Niel Gow’s Lament for his Second Wife<\/a><\/td>[]<\/a><\/td>Scottish<\/td>air<\/td>Laura Risk<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
The Nine Pint Coggie<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
Nixon’s Farewell<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>by composer Curt Bouterse, with words!<\/a>
nice porch jam<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
North Carolina Breakdown<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
O DEAR MOTHER MY TOES ARE SORE 6.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Amin<\/td>\n<\/tr>\n
O’Keefe’s Slide<\/a><\/td>[]<\/a><\/td><\/td>slide<\/td><\/td>Ador<\/td>\n<\/tr>\n
Off to California<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Oh Susanna<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Old Bush<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Hayes and Cahill<\/a><\/td>Dmix<\/td>\n<\/tr>\n
Old Chattanooga<\/a><\/td>[]<\/a><\/td>Americann Old Time<\/td>reel<\/td><\/td>G<\/td>\n<\/tr>\n
The Old Copperplate<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
The Old Favorite<\/a><\/td>[]<\/a><\/td>Irish<\/td>Slide<\/td>Martin Hayes<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Old French<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj
\nAmix<\/td>\n<\/tr>\n
Old Gray Cat<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Old Grimes<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe<\/td>Fiddlin\u2019 Dave and Terence Blum-Marciano<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Old Hag You Have Killed Me<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Shannon & Matt Heaton<\/a><\/td>Dmix<\/td>\n<\/tr>\n
Old Joe Clark<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Old Joe Clark @ MadCoCo<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
THE OLD MAN AND OLD WOMAN SCOLDIN’ 80.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td><\/td><\/td>Dmaj<\/td>\n<\/tr>\n
OLD MARCH 44.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig, march<\/td><\/td>Edor<\/td>\n<\/tr>\n
Old Mother Flanagan<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
OLD REEL 33.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Old Tom Of Oxford<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Old Tom Of Oxford @ 6<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Old Yeller Dog (Came Trottin’ Through the Meeting House)<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Old Yeller Dog (Came Trottin’ Through the Meeting House) @ MacCoCo<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Olga Blom’s Waltz<\/a><\/td>[]<\/a><\/td>Scandi<\/td>waltz<\/td>diatonic accordion & guitar<\/a><\/td>Cmaj<\/td>\n<\/tr>\n
Olives and Oreos<\/a><\/td>[]<\/a><\/td><\/td><\/td><\/td>Dmin<\/td>\n<\/tr>\n
On the Danforth<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>[Stepwise Band])https:\/\/www.youtube.com\/watch?v=iKXCgyScGOE&list=PL9vxfnFxXBYf6-jUH01Sj_MJzOu2HvOg6&index=22)
House concert, set ends with the Wren<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
The One-Horned Sheep<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Ookpic Waltz @ Rogers<\/a><\/td>[]<\/a><\/td>Canadian<\/td>waltz<\/td>by the composer – original version<\/a>
Maple Sugar, 1965? Point P-250<\/td>		Emin<\/td>\n<\/tr>\n
Orgullosa<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>Amy on piano<\/a><\/td>Emin<\/td>\n<\/tr>\n
Out on the Ocean<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Liz Faiella<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Out on the Ocean @ MadCoCo<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Over The Causeway<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Moving Violations<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Over the Fell Water<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Over The Water To Charlie<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Over the Waterfall<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmix
\nDmaj<\/td>\n<\/tr>\n
Over the Waterfall @ MadCoCo<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Le P’tit bal \u00e0 l’huile<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
P\u00e5 F\u00f6rekommen Anledning<\/a><\/td>[]<\/a><\/td><\/td><\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Paddy on the Handcar<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
Paddy On The Turnpike<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Gdor<\/td>\n<\/tr>\n
PADDY ON THE TURNPIKE 31A.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
PADDY ON THE TURNPIKE 31B.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Paris Nights<\/a><\/td>[]<\/a><\/td>musette<\/td>waltz<\/td>Kevin Burke & Cal Scott<\/a>
Kevin Burke and Cal Scott (2007) Across the Black River<\/td>		Amin<\/td>\n<\/tr>\n
The Parsons Farewell<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td>Black Sails. Rocks!<\/a><\/td>Dmin<\/td>\n<\/tr>\n
Partie de quadrille de l’\u00cele d’Orl\u00e9ans<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>6\/8<\/td>Sur le bout du banc<\/a>
Partie De Quadrille de I’\u00eele d’Orleans.mp3 (local)<\/td>		Dmaj<\/td>\n<\/tr>\n
Patrick at Perley Brook<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Pays d’Haut<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Peacock Rag @ D<\/a><\/td>[]<\/a><\/td>Ragtime<\/td>rag<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Peacock Rag @ G<\/a><\/td>[]<\/a><\/td>Ragtime<\/td>rag<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Pearl<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Pennsylvania Fifers<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Pera Stous Pera Kambous<\/a><\/td>[]<\/a><\/td><\/td><\/td><\/td>Dmin<\/td>\n<\/tr>\n
P\u00e8re Doiron<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>on mandolin<\/a><\/td>Amix<\/td>\n<\/tr>\n
La P\u00e8teuse<\/a><\/td>[]<\/a><\/td><\/td><\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>D<\/td>\n<\/tr>\n
La petite galope de Jules Verret<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Petronella<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>very fast<\/a>
Lissa Schneckenberger & Benthany Waickman<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
The Phone Call<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Bbmaj<\/td>\n<\/tr>\n
Pig Ankle Rag<\/a><\/td>[]<\/a><\/td>jug band<\/td>waltz<\/td>Highwoods String Band – “Feed Your Babies Onions.” Rounder CD 11569<\/td>Dmaj<\/td>\n<\/tr>\n
Pipe on the Hob @ O’Neill<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
Pipe on the Hob @ the Session<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmix
\nDmaj<\/td>\n<\/tr>\n
Pipe on the Hob @ Waugh<\/a><\/td>[]<\/a><\/td><\/td>jig<\/td><\/td>Dmix
\nDmaj<\/td>\n<\/tr>\n
Planxty George Brabazon @ 1st Air<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Planxty George Brabazon @ 2nd Setting<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Planxty Irwin<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Polka M\u00e9o<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Polka M\u00e9o @ v1<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Polka Meo @ v2<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Popcorn Behavior<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Popcorn Behavior<\/a>
slow in a dance set<\/a><\/td>		Amin<\/td>\n<\/tr>\n
Possum up a Gum Stump<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Le poteau blanc<\/a><\/td>[]<\/a><\/td>Quebec<\/td>reel<\/td>Jos. Allard<\/a>
Andr\u00e9 Brunet et al<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Les Poules Hupp\u00e9es<\/a><\/td>[]<\/a><\/td>French<\/td>bourr\u00e9e<\/td>original recording by the composer<\/a>
spirited dance performance<\/a>
Flatworld. A medieval style performance<\/a><\/td>		Ddor<\/td>\n<\/tr>\n
Prairie Spring<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Pretty Little Dog @ Waugh<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amin<\/td>\n<\/tr>\n
Pretty Little Dog @ Triplett<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Lee Triplett<\/a>
Foghorn<\/a><\/td>		Amin<\/td>\n<\/tr>\n
The Pride Of Petravore<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td><\/td>Emin<\/td>\n<\/tr>\n
Le Printemps<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>R\u00e9jean & Andr\u00e9 Brunet<\/a>
Les Fr\u00e8res Brunet CD<\/td>		Dmaj<\/td>\n<\/tr>\n
La promeneuse<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td>Pascal Gemme & Yann Falquet<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Puncheon Floor<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj
\nDmaj<\/td>\n<\/tr>\n
Purple Lilies Polka<\/a><\/td>[]<\/a><\/td>Gu-Achi \/ Tohono O’odham<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Purple Lilies Polka @ Lamancusa<\/a><\/td>[]<\/a><\/td>Gu-Achi \/ Tohono O’odham<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
QUADRILLE 13.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
QUADRILLE 30.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
QUADRILLE 37.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Amaj<\/td>\n<\/tr>\n
QUADRILLE 38.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Amaj<\/td>\n<\/tr>\n
QUADRILLE 41.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Amaj<\/td>\n<\/tr>\n
QUADRILLE 46.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
QUADRILLE 47.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Gmin<\/td>\n<\/tr>\n
QUADRILLE 51.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
QUADRILLE 53.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
QUADRILLE 59.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj
\nGmaj<\/td>\n<\/tr>\n
QUADRILLE 61.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
QUADRILLE 65.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
QUADRILLE 77.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
QUADRILLE 78.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
QUADRILLE AND HORNPIPE 50.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Quadrille de Rivi\u00e8re du Loup<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Quatres fer en l’air<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
La rachoudine<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>brandy<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne”<\/a><\/td>Amaj<\/td>\n<\/tr>\n
La rachoudine @ Pascal<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>brandy<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Ragtime Annie<\/a><\/td>[]<\/a><\/td>Texas<\/td>rag<\/td><\/td>Dmaj
\nGmaj<\/td>\n<\/tr>\n
Rakes of Mallow<\/a><\/td>[]<\/a><\/td>English<\/td>polka<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Rambling Pitchfork<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Ramnee Ceilidh<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
RANAHAN’S MARCH 90.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Le rapide du joual blanc<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Arthur Coates<\/a>
nice set<\/a><\/td>		Edor<\/td>\n<\/tr>\n
Rare<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
A Recent Fall<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td><\/td>Emin<\/td>\n<\/tr>\n
The Reconciliation Reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Fergal Scahill<\/a><\/td>Amaj<\/td>\n<\/tr>\n
THE RED BRICK HOUSE IN GEORGIA TOWN 48.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
Red Haired Boy<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Red Hills Polka<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Red Scare<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Gmin<\/td>\n<\/tr>\n
Red Wing<\/a><\/td>[]<\/a><\/td>Tin Pan Alley<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
REEL 12.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
REEL 49.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Bb<\/td>\n<\/tr>\n
REEL 5.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
REEL 79.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj
\nGmaj<\/td>\n<\/tr>\n
REEL 81.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
REEL 82.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel, hornpipe<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
REEL 83.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Reel ABC<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Vent du Nord<\/a><\/td>Edor<\/td>\n<\/tr>\n
Reel des accord\u00e9onistes<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>ensemble<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de l’Amiti\u00e9<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel \u00e0 quatre d’Antonio Gautier<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Reel Arthur<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Reel B\u00e8atrice<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>La Bottine Souriante “Je Voudrais Changer D’Chapeau”<\/td>Amin<\/td>\n<\/tr>\n
Reel B\u00e8atrice @ 1<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>jazzy<\/a>
with Point au Pic<\/a>
Bruno Kowalczyk – slowish<\/a><\/td>		Amin<\/td>\n<\/tr>\n
Reel B\u00e9atrice @ 2<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td><\/td><\/td>Amin<\/td>\n<\/tr>\n
Reel de Bellechasse<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>harmonica<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Beloeil @ MS<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Beloeil @ Raz de Mar\u00e9e<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>from Raz de Mar\u00e9e<\/a>
from Raz de Mar\u00e9e w\/other Hommage a Philippe Bruneau<\/a>
Raz de Mar\u00e9e (2007) Tidal Wave, track 10 at 1:40. Great Meadow Music<\/td>		Dmaj<\/td>\n<\/tr>\n
Reel de Bergeville<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Raz de Mar\u00e9e track on web<\/a>
Andr\u00e9 Brunet lesson sample<\/a>
Raz de Mar\u00e9e (2007) Great Meadow Music, track 6 at 3:32<\/td>		Dmaj<\/td>\n<\/tr>\n
Reel la Caraquette<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Reel de Caribou @ MS45<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Caribou @ MS46<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Ch\u00e2teauguay<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Reel Chicoutimi<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Reel des Cinq Jumelles<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj
\nGmaj
\nDmaj<\/td>\n<\/tr>\n
Reel du Cultivateur<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Serge Carrier, melodeon<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Drummondville<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Reel des \u00c9boulements<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Gaston Nolet with stepdancers<\/a><\/td>Amaj<\/td>\n<\/tr>\n
reel des Esquimaux<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Reel Eug\u00e8ne @ Pigeon<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Danse ce Soir<\/a>
Patty Kusturock<\/a><\/td>		Amin<\/td>\n<\/tr>\n
Reel Eug\u00e8ne<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Danse ce Soir<\/a>
Patty Kusturock<\/a><\/td>		Bmin<\/td>\n<\/tr>\n
Reel du Faubourg<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel \u00e0 Gastonguay<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>Gmaj<\/td>\n<\/tr>\n
Reel du gaucher<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Reel \u00e0 Georges<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)
\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>		D<\/td>\n<\/tr>\n
Reel des habitants<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Arthur Coates, Claude Meth\u00e9<\/a><\/td>Ador<\/td>\n<\/tr>\n
Reel Iroquois<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Frank Ferrel<\/a>
Elisabeth Moquin<\/a><\/td>		Amin<\/td>\n<\/tr>\n
Reel de Jos Cormier<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Patti Kusturok et al.<\/a>
pub session<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Reel \u00e0 Karine<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne”<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Reel L\u00e9vis Beaulieu<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Andr\u00e9 Brunet demo<\/a>
Bruno Kowalczyk<\/a><\/td>		Amaj
\nAmix<\/td>\n<\/tr>\n
Reel \u00e0 Marie-Pierre<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne”<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Reel de Mattawa<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>pub session<\/a>
w\/the composer<\/a>
Pitnacree, following Belle Catherine<\/a><\/td>		Edor<\/td>\n<\/tr>\n
Reel des menteries<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel Mimeault<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel la Mocoque<\/a><\/td>[]<\/a><\/td>Acadien<\/td>reel<\/td>Devon Leger<\/a>
Peter Arsenault<\/a><\/td>		Amix<\/td>\n<\/tr>\n
Reel de Mont Marie<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel des montagnards<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>A<\/td>\n<\/tr>\n
Reel de Montebello<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amin<\/td>\n<\/tr>\n
Reel de Montmagny<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel du nord<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Bmin<\/td>\n<\/tr>\n
reel des Oignons<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel du Patineur<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Reel du Pendu @ Bain<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Carignan at house party<\/a>
Ex Pirata, ensemble<\/a>
Aly Bain Version from “Far From Home”<\/td>		Amaj<\/td>\n<\/tr>\n
Reel du Pendu @ Allard<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Discography-Victor 263527 (78 RPM), Joseph Allard (1928)
Carignan at house party<\/a>
Ex Pirata, ensemble<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Reel du Pendu @ MS<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Reel du pere Bruneau<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel du p\u00e8re Verret<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Pointe au Pic<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Jean-Louis Labb\u00e9<\/a>
Andre Brunet, lesson sample<\/a>
Gaston Nolet accordion<\/a>
Danse ce Soir<\/a><\/td>		Cmaj<\/td>\n<\/tr>\n
Reel de Pointe au Pic \u00e0 Bouchard<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Jean-Louis Labb\u00e9<\/a>
Andre Brunet, lesson sample<\/a>
Gaston Nolet accordion<\/a>
Danse ce Soir w\/Fisher’s<\/a><\/td>		Cmaj<\/td>\n<\/tr>\n
Reel de Port Joli<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel \u00e0 quatre<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>Dmaj<\/td>\n<\/tr>\n
Reel au ralenti<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Reel du r\u00e9pertoire d’Isidore Soucy<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel \u00e0 Robin<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Reel St-Antoine<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>current version Maine Fiddle Camp<\/a>
[Martin Verret p\u00e8re et fils][https:\/\/youtu.be\/R2OgcXAaNsU?si=iWrXkrXXxPTkLhIa&t=29]<\/td>		Amaj<\/td>\n<\/tr>\n
Reel Saint Antoine @ MFC<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>current version Maine Fiddle Camp<\/a>
classic version from Jos Bouchard<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Reel de St Esprit<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel Saint-Jean<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Bmin<\/td>\n<\/tr>\n
Reel Saint Jean @ MS<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel St Marc<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amin<\/td>\n<\/tr>\n
Reel Saint Paul<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Reel de Saint Sim\u00e9on<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel du Semeur<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Sherbrooke<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Accordion version, with teaching<\/a>
Lissa Schneckenburger & Bethany Waickman at HMT<\/a><\/td>		Gmaj
\nDmaj<\/td>\n<\/tr>\n
Reel de la Soupe aux Pois<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>la Famille Soucy<\/a>
 Minnesota Bluegrass & Old-time<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Reel St-Joseph<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Tadoussac<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Reel Ti-M\u00e9<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Charlie Walden+<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Reel Ti-M\u00e9 @ Orstein<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Charlie Walden+<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Reel \u00e0 Toto<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td>Andr\u00e9 Brunet & Martine Billette<\/a>
Andr\u00e9 Brunet lesson<\/a><\/td>		Amix
\nG<\/td>\n<\/tr>\n
Reel de la tuque bleue<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Reel de Valleyfield @ MS<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Valleyfield @ Gaston Nolet<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Gaston Nolet MGQ<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Reel du Verre-Bouteille<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Reel des Vieux Gar\u00e7ons<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
reel de Vieux Moulin<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reign of Love<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Free Raisins<\/a><\/td>Emin<\/td>\n<\/tr>\n
Le Releveur<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
R\u00eave du Qu\u00eateux Tremblay<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Eileen Ivers<\/a><\/td>Fmaj<\/td>\n<\/tr>\n
Riding on a Load of Hay<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Edor<\/td>\n<\/tr>\n
The Rights of Man<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td><\/td>Emin<\/td>\n<\/tr>\n
La Riquerenne<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td><\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Jack’s River Song<\/a><\/td>[]<\/a><\/td>modern<\/td>air<\/td><\/td>Bb<\/td>\n<\/tr>\n
THE ROAD TO BOSTON 19.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Road To Errogie<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td>Adam Sutherland<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Road to Boston<\/a><\/td>[]<\/a><\/td>New England<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Road to the Isles<\/a><\/td>[]<\/a><\/td>Scottish<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Road to Lisdoonvarna<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Edor<\/td>\n<\/tr>\n
Robertson’s Reel<\/a><\/td>[]<\/a><\/td>Shetland<\/td>reel<\/td>with Boy’s Lament<\/a><\/td>A<\/td>\n<\/tr>\n
Rock the Cradle Joe<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Rock the Cradle Joe @ MJ<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
ROCK’S HORNPIPE 93.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe, reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
THE ROCKY MOUNTAIN HORNPIPE 3.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Rocky Road to Jordan<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Roddy McCorley<\/a><\/td>[]<\/a><\/td>Irish<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
ROLLING OFF A LOG 14.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Rolling Waves @ Bill the Weaver<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Chloe Davidson<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
The Rolling Waves @ Humors of Trim<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Liz Faiella<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
la Ronde des Voyageurs<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amin
\nAmaj<\/td>\n<\/tr>\n
la Ronde des Voyageurs @ v1<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amin
\nAmaj<\/td>\n<\/tr>\n
la Ronde des Voyageurs @ v2<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amin
\nAmaj<\/td>\n<\/tr>\n
Rory O’More<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Roscoe<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Annie Staninec with Luke Abbott twin fiddles<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
The Rose in the Heather<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Rose Tree<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
ROSEMONT QUADRILLE 84.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel, polka<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Rosewood<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td>Fergal Scahill<\/a>
Buddy McMaster<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Rosin the Bow<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Ross’s Reel<\/a><\/td>[]<\/a><\/td>New England<\/td>reel<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Round the Horn<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Ruiz Engineering<\/a><\/td>[]<\/a><\/td><\/td>jig<\/td><\/td>Emin<\/td>\n<\/tr>\n
Rundown Boot<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Rush and the Pepper<\/a><\/td>[]<\/a><\/td>American Old Time<\/td><\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Saddle Old Paint<\/a><\/td>[]<\/a><\/td>American Old Time, M\u00e9tis<\/td>reel<\/td>Jamie Fox<\/a>
Fiddlers 3<\/a><\/td>		Gmin<\/td>\n<\/tr>\n
Saddle Old Paint @ leadsheet<\/a><\/td>[]<\/a><\/td>American Old Time, M\u00e9tis<\/td>reel<\/td>Jamie Fox<\/a>
Fiddlers 3<\/a><\/td>		Gmin<\/td>\n<\/tr>\n
Sadie at the Back Door<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmix<\/td>\n<\/tr>\n
Safe Passage<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Sail Away Ladies<\/a><\/td>[]<\/a><\/td>American Old Time<\/td><\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Sailor’s Wife<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td>Hanneke Cassel Lesson<\/a>
from Firefly<\/a><\/td>		Dmin<\/td>\n<\/tr>\n
Saint Anne in the Wilderness<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Dmin<\/td>\n<\/tr>\n
St. Anne’s Reel<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Th\u00e9r\u00e8se Rioux et Keven DesRosiers<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
St-Etienne<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
St. Patrick’s An Dro<\/a><\/td>[]<\/a><\/td>Breton<\/td>an dro<\/td>Carlos Nu\u00f1ez<\/a><\/td>Edor<\/td>\n<\/tr>\n
Sally in the Garden<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Bela Fleck & Abigail Washburn, Cdor<\/a>
Laurel Premo, Anna Gustavsson – gourd banjo and nyckelharpa<\/a>
Critton Hollow String Band<\/a>
I Walked Abroad – Laurel Premo & Anna Gustavsson (700261447285)
That Banjo from Hell – Harry Bollick & Ken Bloom – Paulstarr Enterprise (Cave Music)<\/td>		Ador<\/td>\n<\/tr>\n
Sally in the Garden @ Cdor<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Bela Fleck & Abigail Washburn, Cdor<\/a>
Laurel Premo, Anna Gustavsson – gourd banjo and nyckelharpa<\/a>
Critton Hollow String Band<\/a>
I Walked Abroad – Laurel Premo & Anna Gustavsson (700261447285)
That Banjo from Hell – Harry Bollick & Ken Bloom – Paulstarr Enterprise (Cave Music)<\/td>		Cdor<\/td>\n<\/tr>\n
Sally in the Garden @ MJ<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Bela Fleck & Abigail Washburn, Cdor<\/a>
Laurel Premo, Anna Gustavsson – gourd banjo and nyckelharpa<\/a>
Critton Hollow String Band<\/a>
Critton Hollow String Band (2005) Cowboys and Indians 1996 Yodel-Ay-Hee 019
I Walked Abroad – Laurel Premo & Anna Gustavsson (700261447285)
That Banjo from Hell – Harry Bollick & Ken Bloom – Paulstarr Enterprise (Cave Music)<\/td>		Ador<\/td>\n<\/tr>\n
Sally in the Garden, Assisting Sam<\/a><\/td>[]<\/a><\/td>Old Time<\/td>reel<\/td>Uncle William Raines<\/a>
Natalie Brejcha<\/a><\/td>		Amin<\/td>\n<\/tr>\n
Sally Gardens<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Salt Creek<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Vi Wickam’s Tune a Day<\/a><\/td>Amix<\/td>\n<\/tr>\n
Sandy Boys @ Am<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amin<\/td>\n<\/tr>\n
Sandy Boys @ Amix<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Sandy River Belle<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
La Sansonette<\/a><\/td>[]<\/a><\/td>France<\/td>reel<\/td>LauraCortese = Haas sisters<\/a><\/td>Dmin<\/td>\n<\/tr>\n
Sarah Armstrong’s Tune<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Saratoga Hornpipe<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>clog<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Sal’s Got Mud Between Her Toes<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Saut du Lapin<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Scatter the Mud<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
The Scholar<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
SCHOTTISCHE 36.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel, hornpipe, shottish<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
SCHOTTISCHE 40.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>shottish<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
SCHOTTISCHE 60.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>shottish<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Schottische Du Stockfish<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>ad Vielle que Pourra<\/a><\/td>Amin<\/td>\n<\/tr>\n
Scollay’s Reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>AM String Band<\/a><\/td>Emin<\/td>\n<\/tr>\n
Scotch Cap<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td><\/td>Ddor<\/td>\n<\/tr>\n
Scotch Hornpipe<\/a><\/td>[]<\/a><\/td>English<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Sean Ryan’s @ Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Sean Ryan’s @ Polka<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Seneca Square Dance<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Seneca Square Dance @ MadCoCo<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Set Am\u00e9ricain<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td><\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Le Set Carr\u00e9 \u00e0 Pitou<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
Shearing the Sheep<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Sheehan’s Reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Natalie MacMaster – Fit as a Fiddle<\/td>Gmaj<\/td>\n<\/tr>\n
Sheepskin and Beeswax<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Pierre Schryer & Adam Dobres, fiddle and guitar<\/a>
Alexis Chartrand<\/a>
La Bottine Souriante<\/a>
Pascal Gemme lesson<\/a><\/td>		Ador<\/td>\n<\/tr>\n
Shenandoah Falls<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Jane Rothfeld and Autumn Lester<\/a><\/td>Amaj<\/td>\n<\/tr>\n
She’s Sweetest When She’s Naked<\/a><\/td>[]<\/a><\/td>Scottish<\/td>waltz<\/td><\/td>Bmin<\/td>\n<\/tr>\n
The Ships Are Sailing<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Shoes And Stockings<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Alan Jabbour, Bertram Levy & James Reed (2002) A Henry Reed Reunion, Track 1<\/td>Gmaj<\/td>\n<\/tr>\n
Shove that Pig’s Foot a Little Farther in the Fire<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Bruce Molsky<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Si Bheag Si Mhor<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Silver Spear<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Slangpolska efter Byss-Calle<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>polska (Slangpolska)<\/td>Huldrelokkk<\/a>
Vasen<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Sleepy Maggie<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Sliabh Russel<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Shannon & Matt Heaton<\/a><\/td>Ador<\/td>\n<\/tr>\n
Sligo Maid<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>(Fergal Scahill)(https:\/\/youtu.be\/_TLNdRu2f6Q)
Steeleye Span<\/a>
Foinn Seisi\u00fan<\/a><\/td>		Ador<\/td>\n<\/tr>\n
Da Slockit Light<\/a><\/td>[]<\/a><\/td>Shetland<\/td>air<\/td>Hanneke Cassel, (beautiful demo with sample lesson)<\/a>
by the composer<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Smash the Windows<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Snouts and Ears of America<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
THE SNOUTS AND EARS OF AMERICA 58.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Snowy Path<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Soggy’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td>Beoga<\/a>
Late for the Train<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Soir Et Matin<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Soldier’s Joy<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Gid Tanner & The Skillet Lickers<\/a>
from Will the Circle be Unbroken<\/a>
Franklin George, banjo<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Somarvalsen<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Son of a Bear<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Claude Meth\u00e9<\/a>
Svante Kvarnstr\u00f6m<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Son of a Bear @ MS<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Claude Meth\u00e9<\/a>
Svante Kvarnstr\u00f6m<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Sonny’s Mazurka<\/a><\/td>[]<\/a><\/td>Irish<\/td>mazurka<\/td>Fergal Scahill’s tune a day<\/a>
on harmonica with Valse de Jeunes Filles<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Southwind<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Spandy<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>brandy<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>Gmaj<\/td>\n<\/tr>\n
The Spey In Spate<\/a><\/td>[]<\/a><\/td>Scotland<\/td>reel<\/td><\/td>D<\/td>\n<\/tr>\n
The Spike Island Lasses<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Spootiskerry<\/a><\/td>[]<\/a><\/td>Shetland<\/td>reel<\/td>Stringdancer medley<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Spotted Pony<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
A Spring Day<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Squirrel Heads and Gravy<\/a><\/td>[]<\/a><\/td>American Old-Time<\/td>Reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Squirrel Hunters<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Star of Munster<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>a bit hyper<\/a>
Martin Hayes, Clare Style<\/a><\/td>		Ador<\/td>\n<\/tr>\n
Staten Island<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Step \u00e0 Ti-Phonse<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>gigue<\/td>Celtic Fiddle Festival<\/a>
Stephanie Lepine leading jam<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Stone’s Rag<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>rag<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
STOP TUNE, or TAKE OFF YOUR HAT TO THE LADIES 42.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Strayaway Child<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Bothy Band<\/a>
Kevin Burke<\/a>
Dan Compton & Fran Slefer<\/a>
composer Margaret Barry with Michael Gorman<\/a><\/td>		Emin<\/td>\n<\/tr>\n
The Stuart’s Rant<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
OVER THE STUMP AND BACK AGAIN 66.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Style Musette<\/a><\/td>[]<\/a><\/td>Musette<\/td>waltz<\/td>live at a dance – American speed<\/a>
very very musette – French speed<\/a>
plain but good feeling<\/a><\/td>		Fmaj
\nDmaj\\<\/td>\n<\/tr>\n
Sullivan’s Hollow<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Freeney’s Barn Dance Band<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
The Susan Birds of Wendell<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Latter Day Lizards<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Svensk Anna’s Vals<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
SWALLOW TAIL 45.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
The Swallowtail Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Edor<\/td>\n<\/tr>\n
The Swedish Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj
\nDmin
\nDmaj<\/td>\n<\/tr>\n
SWEET ELLEN 2.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Sweet Georgia Brown<\/a><\/td>[]<\/a><\/td>swing<\/td>swing<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Sweet Marie<\/a><\/td>[]<\/a><\/td>modern<\/td>march<\/td>Erynn Marshall @ Midwest Banjo Camp<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Swinging on a Gate<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Le talencourt<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Adriana Ciccone<\/a>
Claude Meth\u00e9<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Tam Lin @ Am<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Ren\u00e9e Doucet<\/a>
Neal Pointon apparently in disguise as a child<\/a><\/td>		Amin<\/td>\n<\/tr>\n
Tam Lin @ Dm<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Ren\u00e9e Doucet<\/a>
Neal Pointon apparently in disguise as a child<\/a><\/td>		Dmin<\/td>\n<\/tr>\n
Tansey’s Fancy<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Tarbolton<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Tater Patch<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Temperance Reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Tennessee Waltz<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>fiddle in Dmaj<\/a>
Lindsey Beckett w\/ vocal in Amaj<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Tennessee Waltz @ lead sheet<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
There Cam’ a Young Man<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>jig<\/td><\/td>ADor<\/td>\n<\/tr>\n
Thin Time<\/a><\/td>[]<\/a><\/td><\/td>air<\/td><\/td>Dlyd<\/td>\n<\/tr>\n
This Old Man<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Three Thin Dimes<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Ti-Jean Morin<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Tico Tico<\/a><\/td>[]<\/a><\/td><\/td>tango<\/td><\/td>Amin
\nCmaj
\nAmaj<\/td>\n<\/tr>\n
TIDDLE TOOK TODFISH 17.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Timmy Clifford’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Tipping Back the Corn<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Chirps Smith<\/a>
Old Buck with Riley Baugus<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Tobin’s Favorite<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Tom Kruskal’s<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Tombigbee<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Tommy Bhetty’s Waltz<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td>Altan (1990) The Red Crow, Track 10<\/td>Gmaj<\/td>\n<\/tr>\n
Too Young to Marry<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Tourdion<\/a><\/td>[]<\/a><\/td>Renaissance<\/td>tourdion<\/td><\/td>Edor<\/td>\n<\/tr>\n
Le Tourment<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td>Chris Wicker with Chris Wicker<\/a><\/td>Cmaj<\/td>\n<\/tr>\n
Trip to Durrow<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Kevin Burke et al<\/a>
Bruce Molsky OT version<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
A Trip To Mabou Ridge<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>march<\/td><\/td>Amix<\/td>\n<\/tr>\n
Trip to Pakistan<\/a><\/td>[]<\/a><\/td>Breton<\/td>an dro<\/td><\/td>Emin<\/td>\n<\/tr>\n
The Trippers<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>jig<\/td><\/td>Glyd<\/td>\n<\/tr>\n
Tripping Up The Stairs<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Tullymore Polka<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Tune For Mairead and Anna Ni Mhaonaigh<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Liz Carroll – D\u00e1ith\u00ed Sproule <\/a><\/td>Fmaj<\/td>\n<\/tr>\n
Turkey in the Straw<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Twenty-Eighth Of January<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
Two Rivers<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Ugly Duckling<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Up The River<\/a><\/td>[]<\/a><\/td>New England<\/td>jig<\/td><\/td>Gmaj
\nDmaj<\/td>\n<\/tr>\n
Utpick Waltz<\/a><\/td>[]<\/a><\/td>Texas<\/td>waltz<\/td>Jay Unger and Molly Mason<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Valcartier jig @ 1<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Danse ce Soir<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Valcartier jig @ 2<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td>Eric Favreau<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Valley Forge<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmix<\/td>\n<\/tr>\n
Valse des Bois<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Emin<\/td>\n<\/tr>\n
La valse du chef de gare<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>Andr\u00e9 Brunet lesson<\/a>
Celtic Fiddle Festival<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
La valse du chef de gare @ with ornaments<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>Andr\u00e9 Brunet lesson<\/a>
Celtic Fiddle Festival<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Valse-Clog Guilmette<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>massed fiddles with Pierre Chartrand<\/a><\/td>Bmin
\nDmaj<\/td>\n<\/tr>\n
Valse Gisele<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>D<\/td>\n<\/tr>\n
Valse Gisele @ fancy<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>D<\/td>\n<\/tr>\n
Valse des Jeunes Filles<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>Malcolm Dalglish & Grey Larsen<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Valse laurencienne<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>house session<\/a>
Steve Jones teaching<\/a><\/td>		Bmin<\/td>\n<\/tr>\n
la Valse Laurencienne @ MS<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Bmin<\/td>\n<\/tr>\n
Valse laurencienne @ Raz<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>house session<\/a>
Steve Jones teaching<\/a><\/td>		Bmin<\/td>\n<\/tr>\n
Valse Louis<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Valse des rubans<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>waltz<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” <\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Varvindar Friska<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>polska<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Vigers Polska<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>polska<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Viola Flood Blues<\/a><\/td>[]<\/a><\/td>modern<\/td>air<\/td>Ted & Catherine Parrish<\/a><\/td>Amin<\/td>\n<\/tr>\n
Violet<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Glyd<\/td>\n<\/tr>\n
Violet Tulloch Queen Of Lerwick<\/a><\/td>[]<\/a><\/td>Irish<\/td>barndance<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Violet Tulloch’s Welcome to the Crask of Aigas<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Vladi on the Trans-Siberian<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Lift Ticket<\/a><\/td>Gmix<\/td>\n<\/tr>\n
Waiting for Fish<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Waiting For Nancy<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Waiting For Nancy @ MadCoCo<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Walk Home<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Walking Ower Da River<\/a><\/td>[]<\/a><\/td>Shetland<\/td>reel<\/td>[Scottish Tradition 4 Shetland Fiddle Music]w(https:\/\/youtu.be\/0khLum-XzYg)
on banjo!<\/a><\/td>		Amix<\/td>\n<\/tr>\n
Walls of St-Malo<\/a><\/td>[]<\/a><\/td>modern<\/td>gavotte<\/td>Becky Tracy<\/a><\/td>Bmin<\/td>\n<\/tr>\n
Waltz for a Winter Day<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>Last Gasp\u00e9, Good to the Last Gasp<\/td>Dmin<\/td>\n<\/tr>\n
Waltz Ukranian Style<\/a><\/td>[]<\/a><\/td>Ukraine?<\/td>Waltz<\/td><\/td>Amin<\/td>\n<\/tr>\n
WALTZING WITH THE ONE I LOVE 27.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Warlocks<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>strathspey<\/td><\/td>Emin<\/td>\n<\/tr>\n
Waynesboro<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Doc Roberts w\/ John Booker<\/a>
Dave Bing<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
West Fork Gals<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
West Leyden Waltz @ Lamancusa<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
West Leyden Waltz @ Miller<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Western Country<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Westphalia Waltz<\/a><\/td>[]<\/a><\/td>Texas<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Wha’ll Be King But Charlie<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td><\/td>Amin<\/td>\n<\/tr>\n
WHAT THE DEVIL AILS YOU 39.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>shottish<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
WHISKEY 35.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Whiskey Before Breakfast<\/a><\/td>[]<\/a><\/td>Metis<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Whiskey Before Breakfast @deJarlis<\/a><\/td>[]<\/a><\/td>M\u00e9tis<\/td>reel<\/td>Andy DeJarlis<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
White Buffalo<\/a><\/td>[]<\/a><\/td>M\u00e9tis<\/td>reel<\/td>Jamie Fox-picnic table<\/a><\/td>Emin<\/td>\n<\/tr>\n
The White Cockade<\/a><\/td>[]<\/a><\/td>fife and drum<\/td>march<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The White Petticoat<\/a><\/td>[]<\/a><\/td><\/td>jig<\/td><\/td>Emin<\/td>\n<\/tr>\n
Wicked Waterfall<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Wild Rose of the Mountain<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>J. P. Fraley<\/a>
J.P. & Annadeene Fraley w\/ Aly Bain<\/a><\/td>		Amix<\/td>\n<\/tr>\n
Willafjord<\/a><\/td>[]<\/a><\/td>Shetland<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Willie Coleman’s Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Wind that shakes the Barley<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
THE WIND THAT SHOOK THE BARLEY 23.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe, reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Winder Slide<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td>Rayna Gellert, “Ways of the World” Yodel 023<\/td>Dmaj<\/td>\n<\/tr>\n
Wing Commander Donald MacKenzie’s Reel<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Wisconsin Pols<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>hambo<\/td><\/td>Ddor<\/td>\n<\/tr>\n
The Wizard’s Walk<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
Woodchopper’s Reel<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td>la Famille Soucy<\/a>
 Minnesota Bluegrass and Old-time Music Association<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
The Wren<\/a><\/td>[]<\/a><\/td>Breton<\/td>an dro<\/td><\/td>Emin<\/td>\n<\/tr>\n
The Wren @ Bm<\/a><\/td>[]<\/a><\/td>Breton<\/td>an dro<\/td><\/td>Bmin<\/td>\n<\/tr>\n
Year of Jubilo<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Yellow Barber<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Dave Bing<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
THE YELLOW HEIFER 9.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Yellow Rose of Texas<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Cathy Fink, Marcy Marxer, Janie Rothfield and Ralph Gordon<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
You Married My Daughter<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Walt Koken<\/a>
Tommy Duchesne<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Yvon Dumont<\/a><\/td>[]<\/a><\/td>M\u00e9tis<\/td>reel<\/td>Jamie Fox<\/a><\/td>Emin<\/td>\n<\/tr>\n
Zabalka<\/a><\/td>[]<\/a><\/td>Eastern European<\/td>reel<\/td><\/td>Ddor<\/td>\n<\/tr>\n
\u00celes de la Madeleine<\/a><\/td>[]<\/a><\/td>Quebec<\/td>Waltz<\/td><\/td>A<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":332,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-485","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=\/wp\/v2\/pages\/485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=485"}],"version-history":[{"count":8,"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=\/wp\/v2\/pages\/485\/revisions"}],"predecessor-version":[{"id":1004,"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=\/wp\/v2\/pages\/485\/revisions\/1004"}],"up":[{"embeddable":true,"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=\/wp\/v2\/pages\/332"}],"wp:attachment":[{"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}