{"id":485,"date":"2022-06-08T17:51:03","date_gmt":"2022-06-08T17:51:03","guid":{"rendered":"https:\/\/almsforoblivion.com\/?page_id=485"},"modified":"2026-08-10T17:57:40","modified_gmt":"2026-08-10T17:57:40","slug":"all-tunes","status":"publish","type":"page","link":"https:\/\/almsforoblivion.com\/?page_id=485","title":{"rendered":"all tunes"},"content":{"rendered":"\n

Click on the tune name to see the dots. Click on a link in the “Recordings” column to hear or see a performance of the tune. Use your browser’s “back” button to return to this page.<\/p>\n\n\n\n

Often the easiest way to find a tune is to filter the list using the search box, or sort the list using the arrows at the right of each column. (clicking on the dots will play the tune if you are on a computer or iPad)<\/p>\n\n\n\n

NOTE on alphabetical order<\/strong><\/em> : Helper words (either in English or French) such as “the”, “of”, “and”, “de la”, “des”, “a”, “au”, “aux” are ignored. Furthermore since tribute tunes beginning with “Hommage” are frequently referenced by the name of the person to whom the tune is dedicated, alphabetization ignores “Hommage” so “Hommage \u00e0 Doroth\u00e8e Hogan” will be treated as if the title began with “Doroth\u00e9e”<\/p>\n\n\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Name<\/th>Chords<\/th>Genre<\/th>Rhythm<\/th>Recordings<\/th>Key<\/th>\n<\/tr>\n<\/thead>\n
The ’38 Hurricane<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
Le 24 juin<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>quadrille<\/td>Bruno Kowalczyk<\/a>
Philippe Bruno<\/a>
Mary Kay Brass 2-part<\/a><\/td>		Gmaj
\nGmin
\nGmaj<\/td>\n<\/tr>\n
Le 24 juin @ contra<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>quadrille<\/td>Bruno Kowalczyk<\/a>
Philippe Bruno<\/a>
Mary Kay Brass 2-part<\/a><\/td>		Gmin
\nGmaj
\nGm
\nGmaj<\/td>\n<\/tr>\n
5-4-3<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Six-huit de Andr\u00e9 Alain<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Abandonn\u00e9<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>jam session<\/a>
Pascal Gemme teaching<\/a><\/td>		Emin<\/td>\n<\/tr>\n
After the Ball<\/a><\/td>[]<\/a><\/td>Tin Pan Alley<\/td>waltz<\/td><\/td>Gmaj
\nDmaj<\/td>\n<\/tr>\n
l’Air mignonne<\/a><\/td>[]<\/a><\/td>modern<\/td>air<\/td>Lesson – Roxanna Sabir<\/a>
Simon Riopel – composer<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
All Children Should Be Girls<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
All The Rage<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Caroline McCaskey with Larry Unger<\/a><\/td>Emaj<\/td>\n<\/tr>\n
Allie Crocker’s Reel<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Amelia’s<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
An Dro (Clandestine version)<\/a><\/td>[]<\/a><\/td>Breton<\/td>an dro<\/td><\/td>Ador<\/td>\n<\/tr>\n
And the Cat Came Back<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td> Anna Roberts-Gevalt Joe DeJarnette<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Andy M.Stewart’s Reel<\/a><\/td>[]<\/a><\/td><\/td><\/td><\/td>Dmaj<\/td>\n<\/tr>\n
L’Ange aux Patins<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>Pascal Gemme<\/a>
Melbourne Scottish Fiddlers<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Angeline The Baker<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Angeline the Vampire<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Archibald McDonald of Keppoch<\/a><\/td>[]<\/a><\/td>Scotland<\/td>waltz<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Archie Menzies<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>reel<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
The Arran Boat Song<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td><\/td>Edor<\/td>\n<\/tr>\n
As a thoiseach<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Ashokan Farewell<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
At Long Last<\/a><\/td>[]<\/a><\/td>Bluegrass<\/td>waltz<\/td><\/td>D<\/td>\n<\/tr>\n
Atholl Highlanders<\/a><\/td>[]<\/a><\/td>Scottish<\/td>Jig<\/td>Sarah Loughran<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Avalon Quickstep<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
La Baillard<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>Amaj<\/td>\n<\/tr>\n
The Ballyvourney<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Amix<\/td>\n<\/tr>\n
Banish Misfortune<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmix<\/td>\n<\/tr>\n
Banks Hornpipe<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Eb<\/td>\n<\/tr>\n
Banks Hornpipe @ Doucet<\/a><\/td>[]<\/a><\/td><\/td>hornpipe<\/td><\/td>Eb<\/td>\n<\/tr>\n
Banks Hornpipe @ G<\/a><\/td>[]<\/a><\/td><\/td>hornpipe<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Banks Hornpipe @ McGann<\/a><\/td>[]<\/a><\/td>Scottish<\/td>hornpipe<\/td>Andy McGann & Paul Brady (1977), Shanachie 29009, side B track 2
Andy McGann and Paul Brady<\/a><\/td>		Eb<\/td>\n<\/tr>\n
The Banks Of Lough Gowna<\/a><\/td>[]<\/a><\/td>Ireland<\/td>jig<\/td><\/td>Bmin<\/td>\n<\/tr>\n
The Banshee<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Barde<\/td>Gmaj<\/td>\n<\/tr>\n
Baridhara<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
Barlow Knife<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Barracuda<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Eloise & Co.<\/a>
Becky Tracy<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
La Bastringue<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Batchelder’s Reel<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Battle Cry of Freedom<\/a><\/td>[]<\/a><\/td>American<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Bay of Fundy<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td>Luc Richard fiddle and piano. w\/Mason’s Apron<\/a>
Lissa Schneckenburger, Bethany Waickman w\/Reel de Montreal<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Beatrice Hill’s Three-Handed Reel<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Bedlam Boogie<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
Behind The Bush In The Garden<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Andy McGann & Paddy Reynolds with Paul Brady \u2013 Fiddle Duet (Traditional Music Of Ireland), Shanachie 29004 (1976)
Andy McGann, Paddy Reynolds, Paul Brady<\/a>
Alasdair Fraser & Natalie Haas<\/a><\/td>		Ador<\/td>\n<\/tr>\n
Behind the Haystack<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Belfast Hornpipe<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Believe Me If All Those Endearing Young Charms<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td>John McCormack vocal<\/a>
Vivian and Phil Williams, fiddle<\/a>
[John McCormack vocal, 1911](https:\/\/www.youtube.com\/watch?v=mwrtSKllca4<\/td>		Cmaj<\/td>\n<\/tr>\n
La Belle Catherine<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Andre Brunet, et al. w\/La Rachoudine<\/a>
Pitnacree, w\/Reel de Mattawa<\/a>
Andre Brunet, demo\/lesson<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
La belle Catherine \u00e0 \u00c9douard Richard<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>D<\/td>\n<\/tr>\n
Hommage \u00e0 la belle Gasp\u00e9sie<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
La Belle Gasp\u00e9sie<\/a><\/td>[]<\/a><\/td>Qu\/ebec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
La Belle Isa<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>polka<\/td><\/td>Amix<\/td>\n<\/tr>\n
Belle M\u00e8re’s Waltz<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
The Belles about the Flat Bush<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Bergerette: Sans Roch<\/a><\/td>[]<\/a><\/td><\/td>bour\u00e9e<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Beth Cohen’s<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>C _b ^c<\/td>\n<\/tr>\n
Big John McNeil<\/a><\/td>[]<\/a><\/td><\/td><\/td><\/td>Amaj<\/td>\n<\/tr>\n
Big Sciota<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Aly Bain & Jay Ungar et al<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Bill Cheatham<\/a><\/td>[]<\/a><\/td>Bluegrass<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Bill Sullivan’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Billy in the Lowground<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
The Black Cat Jig<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Dan Compton and Lisa Ornstein<\/a>
Portland Collection<\/a><\/td>		Dmin<\/td>\n<\/tr>\n
Blackberry Blossom<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe<\/td>Natalie McMaster<\/a>
bluegrass<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Blackberry Blossom @ Eddy<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Rachel Eddy on fiddle, with Walkin’ in My Sleep<\/a>
Kerry Blech’s history with examples<\/a><\/td>		Gmix<\/td>\n<\/tr>\n
Blackberry Blossom @ jam<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmix<\/td>\n<\/tr>\n
BLACKBIRD 88B.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>slow march<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Blackest Crow<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>waltz<\/td><\/td>Emin<\/td>\n<\/tr>\n
THE BLACKSMITH 69.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel, polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Blarney Pilgrim<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmix<\/td>\n<\/tr>\n
The Blazer<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Blood Red Wing<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Gmin<\/td>\n<\/tr>\n
Blue Island<\/a><\/td>[]<\/a><\/td><\/td>jig<\/td><\/td>Ddor<\/td>\n<\/tr>\n
The Blue Jig<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Scenic Roots<\/a><\/td>Amin<\/td>\n<\/tr>\n
Bog an Lochan<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>strathspey<\/td><\/td>Emin<\/td>\n<\/tr>\n
BONAPARTE CROSSING THE ALPS 89.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td><\/td>Ador<\/td>\n<\/tr>\n
Bonaparte Crossing the Rhine<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td>Lynn Shaw<\/a>
Old Town School<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Bonaparte’s Retreat<\/a><\/td>[]<\/a><\/td>American Old Time<\/td><\/td><\/td>Gmaj<\/td>\n<\/tr>\n
BONAPARTE’S RETREAT 86.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td><\/td>Amin<\/td>\n<\/tr>\n
BONAPARTE’S RETREAT 87.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Bonnie at Morn<\/a><\/td>[]<\/a><\/td>Northumbria<\/td>waltz<\/td>fiddle & melodeon, sweet<\/a><\/td>Amin<\/td>\n<\/tr>\n
Bonnie Charlie<\/a><\/td>[]<\/a><\/td>Scotland<\/td>hornpipe, reel<\/td><\/td>Dm<\/td>\n<\/tr>\n
Bonnie Nancy<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Bonnie Kate<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
THE BONNY MAID 15.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Booth Shot Lincoln<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Boston’s<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>The Four Idots<\/a><\/td>Amaj
\nEmin<\/td>\n<\/tr>\n
Bourrasque Celtique<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td><\/td><\/td>Emin<\/td>\n<\/tr>\n
The Boys Of Bluehill<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Boy’s Lament for his Dragon<\/a><\/td>[]<\/a><\/td>Scottish<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Boy’s Lament for his Dragon @ MadCoCo<\/a><\/td>[]<\/a><\/td>Scottish<\/td>march<\/td>Liz Faiella<\/a>
with Robertson’s<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Brandy \u00e0 \u00c9douard Richard<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>brandy<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne”<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Brenda Stubbert’s Reel<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>reel<\/td>Patty Kusturock<\/a><\/td>Ador<\/td>\n<\/tr>\n
Bretonia<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
Briarpicker Brown<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Br\u00f6llopsg\u00e5rden<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>polska<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
A Bruxa<\/a><\/td>[]<\/a><\/td>Galicia<\/td>mazurka<\/td>Phoebe Rees<\/a>
Paul Kotapish & Moving Cloud Orchestra Am<\/a>
Alisdair Fraser & Natalie Haas<\/a><\/td>		Emin<\/td>\n<\/tr>\n
Buffalo Gals<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Old Town School<\/a>
Old Town School<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
BUFFALO GALS 1A.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
BUFFALO GALS 1B.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Bus Stop<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Keltricity<\/a><\/td>Amin<\/td>\n<\/tr>\n
The Butterfly<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td>Bothy Band: 1975.<\/td>Edor<\/td>\n<\/tr>\n
The Butterfly @ MJ<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
BUTTERMILK AND CIDER 18.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Cache tes fesses<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>6\/8<\/td>Andr\u00e9 Brunet lesson<\/a>
Alexis Chartrand – baroque<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Calliope House @ D<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>by the composer<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Calliope House @ E<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>by the composer<\/a><\/td>Emaj<\/td>\n<\/tr>\n
Callipygian<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Amin<\/td>\n<\/tr>\n
Camp Meeting on the Fourth of July<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td>Southern String Band performance<\/a>
Fiddle: Bill See, Banjo: Glenn Godsey, Guitar: Mike Long<\/a>
Hard Cider String Band at Fiddler’s Grove<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Canyon Moonrise<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Emin<\/td>\n<\/tr>\n
Captain Campbell<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>strathspey<\/td><\/td>Amin<\/td>\n<\/tr>\n
Carolan’s Concerto (D major)<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td>1971: The Chieftains: Chieftains 3
1991: The Wolfe Tones: Spirit of the Nation
2001: Celtic Fiddle Festival: Rendevous<\/td>		Dmaj<\/td>\n<\/tr>\n
Casadh An Ts\u00fag\u00e2in<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Catharsis<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>on the beach<\/a><\/td>Gmin<\/td>\n<\/tr>\n
The Caucus Reel<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td>Caoimh\u00edn \u00d3 Feargha\u00edl & Brian Mooney<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Ceol Anna<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Amin<\/td>\n<\/tr>\n
Le Chat Noir<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmin<\/td>\n<\/tr>\n
Cherryburn<\/a><\/td>[]<\/a><\/td>English<\/td>waltz<\/td>Derek Hobbs, “Bewick’s Footsteps: A Garland of New Tunes”, Rossleigh Music (1995)<\/td>Gmaj<\/td>\n<\/tr>\n
Chester<\/a><\/td>[]<\/a><\/td><\/td>air<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Chester’s Ditty<\/a><\/td>[]<\/a><\/td><\/td>jig<\/td><\/td>Gmin<\/td>\n<\/tr>\n
The Chickadees’ Polka<\/a><\/td>[]<\/a><\/td>modern<\/td>polka<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Chickadee’s Polka @ MadCoCo<\/a><\/td>[]<\/a><\/td>modern<\/td>polka<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Chicken Under the Washtub<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>The Sweet Lowdown<\/a><\/td>Ddor
\nDmix<\/td>\n<\/tr>\n
Chicken Under the Washtub @ Williams<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Winter Moon (1990) Vivian Williams, Phil Williams & Harley Bray, CDBaby
Vivian Williams<\/a><\/td>		Dmaj
\nDmix<\/td>\n<\/tr>\n
Childgrove @ Hardy<\/a><\/td>[]<\/a><\/td>English<\/td>march<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Childgrove @ Playford<\/a><\/td>[]<\/a><\/td>English<\/td>march<\/td><\/td>Ddor<\/td>\n<\/tr>\n
Childgrove @ Waugh<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Ddor<\/td>\n<\/tr>\n
The Choice Wife<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td>Zoe Conway & Meabh O’Hare<\/a>
Liam Flynn (1995) The Given Note; Tara Music<\/td>		Dmix<\/td>\n<\/tr>\n
Chorus Jig<\/a><\/td>[]<\/a><\/td>New England<\/td>reel<\/td><\/td>Dmix
\nGmaj
\nDmaj
\nGmaj<\/td>\n<\/tr>\n
Ciel D’automne<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Clear River Waltz<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>waltz<\/td><\/td>Ddor<\/td>\n<\/tr>\n
Cliffs of Moher<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Foinn Seisun<\/a><\/td>Ador<\/td>\n<\/tr>\n
Clog de Pariseau<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Sabin Jacques, Gabriel Labb\u00e9 et al in Bm\/D<\/a>
Liam Robinson in F#m\/A<\/a><\/td>		F#min<\/td>\n<\/tr>\n
Clog de Pariseau @ re mineur<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Sabin Jacques, Gabriel Labb\u00e9 et al in Bm\/D<\/a>
Liam Robinson in F#m\/A<\/a><\/td>		Bmin<\/td>\n<\/tr>\n
CLOUD’S REEL 57.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Cluck Old Hen<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
Cock O’ The North<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td>Gordon Highlanders, pipes and drums<\/a>
melodeon<\/a>
fiddle, slow<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Coffee<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Chalkboard Poets<\/a><\/td>Ador<\/td>\n<\/tr>\n
Cold Frosty Morning<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Old Town School<\/a><\/td>Ador<\/td>\n<\/tr>\n
Coleman’s March<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Coleraine<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>lesson<\/a><\/td>Amin<\/td>\n<\/tr>\n
Colored Aristocracy<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Comb Your Hair And Curl It<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Edor<\/td>\n<\/tr>\n
Combination Rag<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>rag<\/td>East Texas Serenaders<\/a>
Columbia 15229-D (78 RPM), East Texas Serenaders (1928)
East Texas Serenaders Document CD DOCD 8031<\/td>		Cmaj<\/td>\n<\/tr>\n
Coming Home With the Girls in the Morning<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Jane Rothfeld<\/a><\/td>Ddor<\/td>\n<\/tr>\n
La Complainte du Folkloriste<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Con Cassidy’s Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Altan (1990) The Red Crow, Track 2<\/td>Dmix<\/td>\n<\/tr>\n
The Concertina Reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Congress reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Fr. Matthew McCarthy<\/a>
Kevin Burke-Open House<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Connaughtman’s Rambles<\/a><\/td>[]<\/a><\/td>Ireland<\/td>jig<\/td>with Morrison’s and Kesh<\/a><\/td>Bmin<\/td>\n<\/tr>\n
Cooley’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Cotillion de Baie-Ste-Catherine<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
THE COTTAGE BY THE SEA, or THE RED HEADED GIRL 70.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel, polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Country Waltz<\/a><\/td>[]<\/a><\/td>Australian<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Cowboy Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>The Good Tune<\/a><\/td>A<\/td>\n<\/tr>\n
Crested Hens<\/a><\/td>[]<\/a><\/td>French<\/td>waltz<\/td>Solas, as a slow air<\/a>
Gitar Cafe Concert in Istanbul, low whistle<\/a>
Solas – A Celtic Tapestry vol.2 – Shanachie 2005<\/td>		Edor<\/td>\n<\/tr>\n
Cripple Creek<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Tommy Jarrell and Kyle Creed<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Crockett’s Honeymoon<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Crockett’s Kentucky Mountaineers<\/a>
Tashina Claridge et al<\/a>
Crockett’s Mountaineers, in a long medley<\/a>
The tune was the middle of a medley, with “Old Molly Hare,”
in Los Angeles, Nov. 1928, as “Medley of Old-Time Dance Tunes Part I.”
Brunswick 291 (78 RPM). Crockett Family Mountaineers (1928)
Yazoo 2200, Crockett’s Kentucky Mountaineers – Kentucky
Mountain Music, vol. 3 (2003)<\/td>		Gmaj<\/td>\n<\/tr>\n
Crossing To Ireland<\/a><\/td>[]<\/a><\/td>Scotland<\/td>waltz<\/td>Classic Cuts, Breton Books & Music, Wreck Cove, Cape Breton Island, Nova Scotia, B0C 1H0<\/td>Edor
\nEmin<\/td>\n<\/tr>\n
Crow Creek<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Cuckoo’s Nest @ MJ<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
THE CUCKOO’S NEST 8A.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
THE CUCKOO’S NEST 8B.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Cuffed and Dragged<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Cuil Aodha Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Cumberland Gap<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Cup Of Tea<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Curvy Road To Corinth<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Katie Jan Lubens<\/a><\/td>Edor<\/td>\n<\/tr>\n
Cut Knife Hill<\/a><\/td>[]<\/a><\/td>M\u00e9tis<\/td>reel<\/td>two cellos<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Cutting Ferns<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>Strathspey<\/td><\/td>Amin<\/td>\n<\/tr>\n
Cutting a Slide<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Damhsadh Bhradain Roaig<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
DANCE TUNE 24.<\/a><\/td>[]<\/a><\/td>American Old-Time<\/td>jig<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
DANCE TUNE 25.<\/a><\/td>[]<\/a><\/td>American Old-Time<\/td>jig<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
DANCE TUNE 26.<\/a><\/td>[]<\/a><\/td>American Old-Time<\/td>jig<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
DANCE TUNE 68.<\/a><\/td>[]<\/a><\/td>American Old-Time<\/td>polka, reel<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
The Dancer<\/a><\/td>[]<\/a><\/td>New England<\/td>waltz<\/td>Toss the Possum, very tango<\/a><\/td>Emin<\/td>\n<\/tr>\n
The Dancing Bear<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
December March<\/a><\/td>[]<\/a><\/td>modern<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Dedicado a Jos<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Bottine Souriante<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Denis Murphy’s Polka<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Les deux Lisa<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Andr\u00e9 Brunet lesson<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
The Devil In The Strawstack<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gdor<\/td>\n<\/tr>\n
Devil’s Dream<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Devlin’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Bmin<\/td>\n<\/tr>\n
Le diable vert<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Diamond<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Jig Dimanche Apr\u00e8s Midi<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td>Tunescape<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Dinky Dorrian’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Altan: Horse with a Heart.
De Dannan: .<\/td>		Amix<\/td>\n<\/tr>\n
Don’t You Remember the Time<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>waltz<\/td>Freeny’s Barn Dance Band<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Don’t You Remember the Time @ Harmony<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>waltz<\/td>Freeny’s Barn Dance Band<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Doon the Brae<\/a><\/td>[]<\/a><\/td>Scottish<\/td>march<\/td><\/td>Amin<\/td>\n<\/tr>\n
Doon the Brae @ MJ<\/a><\/td>[]<\/a><\/td>Scottish<\/td>marc<\/td><\/td>Emin<\/td>\n<\/tr>\n
Hommage \u00e0 Doroth\u00e9e<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Bmin<\/td>\n<\/tr>\n
Hommage \u00e0 Doroth\u00e9e @ Bruneau<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Bmin<\/td>\n<\/tr>\n
Dorset Four Hand Reel<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
DOWN YONDER 74.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>polka, reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
Dragger’s Reel<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td>Eddy Arsenault<\/a>
Andr\u00e9 Brunet<\/a>
Charlie Walden<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
DREAM SONG 28.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Drowsy Maggie<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>EDor<\/td>\n<\/tr>\n
THE DRUNKEN HICCOUGHS 52.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Drunken Landlady<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>EDor<\/td>\n<\/tr>\n
Dry and Dusty<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Dubuque<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Duck River<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td>Atlas String Band – Strong Shoulders<\/td>Dmaj<\/td>\n<\/tr>\n
Ducks on the Millpond<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Ducks on the Pond<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
The Dusty Windowsill<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
The Earl’s Chair<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
East Tennessee Blues<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
The Easy Club<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
The Easy Club Reel<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Ebenezer<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Hommage \u00e0 Edmond Pariso<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Pascal Gemme and Friends<\/a>
Bottine Souriante<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Eileen O’Riordan’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>slide<\/td><\/td>Amix<\/td>\n<\/tr>\n
El Paso Waltz<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Elftune<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td><\/td>Dmix
\nDmaj<\/td>\n<\/tr>\n
Eli Green’s Cakewalk @ 1898<\/a><\/td>[]<\/a><\/td>Tin Pan Alley<\/td>ragtime<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Eli Green’s Cakewalk @ leadsheet<\/a><\/td>[]<\/a><\/td>Tin Pan Alley<\/td>ragtime<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Elijah Harper’s Reel<\/a><\/td>[]<\/a><\/td>M\u00e9tis<\/td>reel<\/td>Jamie Fox<\/a><\/td>Dmin<\/td>\n<\/tr>\n
Elzic’s Farewell<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>French Carpenter<\/a>
Kanawha 301, French Carpenter – “Elzic’s Farewell” (1978. Originally recorded 1963).<\/td>		Ador<\/td>\n<\/tr>\n
Emma’s Waltz<\/a><\/td>[]<\/a><\/td>Finnish<\/td>waltz<\/td>a little mannered, but good<\/a>
nice variations, but in Dm<\/a>
Fergal<\/a><\/td>		Amin<\/td>\n<\/tr>\n
En fumant ma pipe<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Pascal Gemme<\/a>
\u00c9-T-\u00c9, live, great fun<\/a>
busking at Jean Talon Market<\/a>
Pour la Suite du Monde movie<\/a><\/td>		Ador<\/td>\n<\/tr>\n
\u00c9vit Gabrielle @ Gemme<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Pascal Gemme – Patreon<\/a><\/td>Emin<\/td>\n<\/tr>\n
\u00c9vit Gabriel @ ?<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
Fading Light<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Demo & Lesson<\/a><\/td>Em<\/td>\n<\/tr>\n
Fair Jenny’s Jig<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Fairhaired Mary<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Falls Of Richmond<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Down Trodden String Band<\/a><\/td>Ador
\nAmaj<\/td>\n<\/tr>\n
Falls of Richmond @ MJ<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>air<\/td><\/td>Ador
\nAmix
\nAdor<\/td>\n<\/tr>\n
Fanny Power @simple<\/a><\/td>[]<\/a><\/td>Irish<\/td><\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Fanny Power<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Far Away<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>Japanese!<\/a><\/td>Bmin<\/td>\n<\/tr>\n
Far From Home<\/a><\/td>[]<\/a><\/td>Shetland<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Farewell to Heb<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Farewell to Whiskey<\/a><\/td>[]<\/a><\/td>Scottish<\/td>air<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Farewell Trion<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
FAREWELL TO WHISKEY 72.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel, polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Father Kelly’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
La F\u00e9e des Dents<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td>ensemble, De Temps Antan<\/a>
Andr\u00e9 Brunet<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
The Fermoy Lasses<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>live in a bar<\/a><\/td>Emin<\/td>\n<\/tr>\n
Fiery Clockface<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
A Fig For A Kiss<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td>Altan<\/a><\/td>Edor<\/td>\n<\/tr>\n
FINE TIMES AT OUR HOUSE 76.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
Finlay M. MacRae – Air<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td><\/td>Amin<\/td>\n<\/tr>\n
Finlay M. MacRae – March<\/a><\/td>[]<\/a><\/td>Irish<\/td>march<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
The Finnish Polka<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>polka<\/td>Kevin Burke<\/a>
Ievan Polkka a capella<\/a>
lumberjack band, 1952<\/a><\/td>		Bmin<\/td>\n<\/tr>\n
FIRE IN THE MOUNTAIN 10.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Fisher’s Hornpipe @ Alain<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>hornpipe<\/td>Danse ce Soir<\/a><\/td>Fmaj<\/td>\n<\/tr>\n
Fisher’s Hornpipe @ D<\/a><\/td>[]<\/a><\/td>English<\/td>hornpipe<\/td>Old Town School<\/a>
Vi Wickam’s Fiddle Tune a Day<\/a>
crooked, from Laurie Hart<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Fisher’s Hornpipe @ F<\/a><\/td>[]<\/a><\/td>English<\/td>hornpipe<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Fitzmaurice Polka<\/a><\/td>[]<\/a><\/td>modern<\/td>polka<\/td><\/td>Fmaj
\nCmaj<\/td>\n<\/tr>\n
The Five Roads<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td>Nightingale – the Coming Dawn<\/td>Emin<\/td>\n<\/tr>\n
Fleur De Mandragore<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Fleur De Mandragore @ Danse ce Soir<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Fleur De Mandragore @ Pascal Gemme<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Flodigarry Island<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Bmin<\/td>\n<\/tr>\n
Flop Eared Mule<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Flowers of Edinburgh<\/a><\/td>[]<\/a><\/td>Scottish<\/td>air<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
THE FLOWERS OF EDINBURGH 54.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Fly Around My Pretty Little Miss<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>New Lost City Ramblers<\/a>
slow demo OTS<\/a>
Rhonda Kemp<\/a>
Carol Ormand calling<\/a>
jam<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Flying Cloud Cotillion<\/a><\/td>[]<\/a><\/td>New England<\/td>reel<\/td>Kirk Sutphin and Bertram Levy<\/a><\/td>Gmaj
\nDmaj<\/td>\n<\/tr>\n
Flying Home To Shelly<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Forked Deer<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Taylors Kentucky Boys<\/a>
Bruce Molsky, multi part<\/a>
Lightning in the East, five parts<\/a>
Old Town School<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
FORTY MILES 92.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig-time march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Forty-two Pound Cheque<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Four Stroke Reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Fox Family Reel<\/a><\/td>[]<\/a><\/td>M\u00e9tis<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Foxhunter’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Frank’s Reel<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td>Fergal Scahill<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Frenchie’s Reel<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Charlie Walden<\/a>
Patty Kusturock<\/a><\/td>		Bbmaj<\/td>\n<\/tr>\n
Hommage aux fr\u00e8res Pigeon<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Traverse<\/a>
Leger<\/a>
Sp\u00f6ket i k\u00f6ket<\/a><\/td>		Bmin<\/td>\n<\/tr>\n
The Frog in the Well<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Frosty Morning<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
La Galope \u00e0 Jean-Louis<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>galope<\/td>Gaston Nolet – RQF<\/a><\/td>Am<\/td>\n<\/tr>\n
La Galope des Folkloristes<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Galope de Jules Verret<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Galope de la Malbaie<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Bal \u00e0 huile<\/a>
R\u00c9SEAU QU\u00c9BEC FOLKLORE<\/a>
Jos Bouchard<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Galope du repertoire de Gaston Nolet<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td><\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Galway Hornpipe<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td>Andy McGann and Paul Brady (as McDermott’s)<\/a>
fiddle and guitar (with Belfast Hornpipe)<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
The Gander In The Pratie Hole<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmix<\/td>\n<\/tr>\n
Garfield’s Blackberry Blossom<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Rachel Eddy on fiddle, with Walkin’ in My Sleep<\/a><\/td>Gmix<\/td>\n<\/tr>\n
Garfield’s Blackberry Blossom @ 2<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Garret Barry’s Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Foinn Seisi\u00fan<\/a><\/td>Dmix<\/td>\n<\/tr>\n
Gasp\u00e9 Reel<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Louis Beaudoin<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Gasp\u00e9 Reel @ Soucy<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Louis Beaudoin<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Gasp\u00e9 Reel @ MadCoCo<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Louis Beaudoin<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
The Geese In The Bog<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
George Brabazon First Air<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Gigue des Capuchons<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td>Serge Carrier, melodeon<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Gigue du D\u00e9mon<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gigue du Diamant Bleu<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gigue double<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>brandy<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>D<\/td>\n<\/tr>\n
Gigue du Forgeron<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gigue de M. Blanchette<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gigue de Madame Saint Germain<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gigue du P\u00e8re Mathias<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gigue du Plateau Mont-Royal @ accord\u00e9on<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>[Carmen Gu\u00e9rard & Laurel Risk with stepdancers] (https:\/\/www.youtube.com\/watch?v=PzDQL6d8OeA)
[Marie-Jeanne Brousseau & Timi Turmel, killer button box and piano] (https:\/\/www.youtube.com\/watch?v=A8iv-wNxjSE)<\/td>		F#phr
\nAmaj<\/td>\n<\/tr>\n
Gigue du Plateau Mont-Royal<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>gigue<\/td>Carmen Gu\u00e9rard & Laurel Risk with stepdancers<\/a>
Marie-Jeanne Brousseau & Timi Turmel, killer button box and piano<\/a><\/td>		F#phr
\nAmaj<\/td>\n<\/tr>\n
Gigue du Plateau Mont-Royal @ TT<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>gigue<\/td>Marie-Jeanne Brousseau & Timi Turmel, killer button box and piano<\/a>
Carmen Gu\u00e9rard & Laurel Risk with stepdancers<\/a><\/td>		F#phr
\nAmaj<\/td>\n<\/tr>\n
Gigue du Plateau Mont-Royal @ violon<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>gigue<\/td>Carmen Gu\u00e9rard & Laurel Risk with stepdancers<\/a>
Marie-Jeanne Brousseau & Timi Turmel, killer button box and piano<\/a><\/td>		F#phr
\nAmaj<\/td>\n<\/tr>\n
Gigue du Salon<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>6\/8<\/td>Pascal Gemme<\/a>
New Leaf<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Gigue de Terrebonne<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gillian’s Reel<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Gillies’ Taxis<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Gingerhogs No.2<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Amaj<\/td>\n<\/tr>\n
The Girl I Left Behind Me<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Old Town School<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Girls in a Summer Garden<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Give Me Your Hand<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td>Octave mandolin & English concertina<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
A Glint of Silver<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>BMin<\/td>\n<\/tr>\n
Goin’ Down to Cairo<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>fiddle & banjo, slow<\/a>
lesson, Bob Borcherding<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Golden Slippers<\/a><\/td>[]<\/a><\/td>minstrel<\/td>reel<\/td>[Old Town School, slow with harmony demo](https:\/\/www.oldtownschool.org\/fiddle\/fun\/<\/td>Gmaj<\/td>\n<\/tr>\n
Golden Slippers @ D<\/a><\/td>[]<\/a><\/td>minstrel<\/td>reel<\/td>[Old Town School, slow with harmony demo](https:\/\/www.oldtownschool.org\/fiddle\/fun\/<\/td>Dmaj<\/td>\n<\/tr>\n
The Golden Ticket<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Eric Merrill composer<\/a>
Roger Netherton<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Golem’s Slippers<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Gmin<\/td>\n<\/tr>\n
Grand Chien<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
La grande chaine<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Louis Beaudoin & family<\/a>
fiddle lesson<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
La Grande Gigue Simple<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>brandy<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Grands Pieds<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Alexis Chartrand & Nicoilas Babineau<\/a>
Alexis Chartrand & Nicoilas Babineau live<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Greasy Coat<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Augusta, Anna Roberts-Gevalt et al,<\/a>
Edden Hammons<\/a><\/td>		Ador<\/td>\n<\/tr>\n
Greasy Coat @ Levenson<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Augusta, Anna Roberts-Gevalt et al,<\/a>
Edden Hammons<\/a><\/td>		Ador
\nAmix<\/td>\n<\/tr>\n
Green Grows the Laurel<\/a><\/td>[]<\/a><\/td>American<\/td>song<\/td>Dolores Keane<\/td>Dmix<\/td>\n<\/tr>\n
Green Mountain Petronella<\/a><\/td>[]<\/a><\/td>New England<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Green Mountain Petronella @ Miller<\/a><\/td>[]<\/a><\/td>New England<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Green Willis<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td>Fuzzy Mountain String Band<\/a>
Old Town School<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Greencastle Hornpipe @ D<\/a><\/td>[]<\/a><\/td>English<\/td>hornpipe<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Greencastle Hornpipe @ G<\/a><\/td>[]<\/a><\/td>English<\/td>hornpipe<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Grey Eagle @ FF<\/a><\/td>[]<\/a><\/td>Texas<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Grey Eagle @ Taylor’s<\/a><\/td>[]<\/a><\/td>Kentucky<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Grondeuse \u00e0 Wilfred<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Babineau – Chartrand<\/a><\/td>Amix<\/td>\n<\/tr>\n
Grosse Roche<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>Ador<\/td>\n<\/tr>\n
Growling Old Man and Grumbling Old Woman<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Louis Beaudoin<\/a>
Hope Grietzer with Dannielle Spindler Swart in a living room<\/a>
Colby Maddox, demo for Old Town School<\/a>
Pierre Schryer band<\/a><\/td>		Ador
\nAmix<\/td>\n<\/tr>\n
Growling Old Man and Grumbling Old Woman @ MJ<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Louis Beaudoin<\/a>
Hope Grietzer with Dannielle Spindler Swart<\/a>
Old Town School demo<\/a>
Pierre Schryer band<\/a><\/td>		Amin
\nAmix<\/td>\n<\/tr>\n
Growling Old Man and Grumbling Old Woman @ MadCoCo<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Louis Beaudoin<\/a>
Hope Grietzer with Dannielle Spindler Swart<\/a>
Old Town School demo<\/a>
Pierre Schryer band<\/a><\/td>		Amin
\nAmix<\/td>\n<\/tr>\n
Gr\u00e0dh Mo Chridhe Mo Nighean Donn<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td><\/td>Amin<\/td>\n<\/tr>\n
La Guenille<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
La Gueussinette<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>Tidal Wave\/Raz-de-Mar\u00e9e<\/a>
“Gussie” on piano<\/a>
Raz de Mar\u00e9e (2007) Tidal Wave, track 2<\/td>		Bmin<\/td>\n<\/tr>\n
GUILDEROY 85.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
The Halting March<\/a><\/td>[]<\/a><\/td>Irish<\/td>march<\/td><\/td>Ador<\/td>\n<\/tr>\n
Hamlet’s Rebuttal<\/a><\/td>[]<\/a><\/td>Modern<\/td>reel<\/td>Cosmic Otters<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Hangman’s Reel @ MJ<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Hangman’s Reel @ Northcutt<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Bill Northcutt, Bill Clemmons, Doc Hamilton (1968) Old Time Hoedown; Stoneway STY 103
Albert Hash<\/a>
[Jean Carignan]https:\/\/www.youtube.com\/watch?v=gT3DctGzUhI<\/td>		Amaj<\/td>\n<\/tr>\n
Hardiman the Fiddler<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Dmix<\/td>\n<\/tr>\n
H\u00e5rg\u00e5laten<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>polska<\/td><\/td>Amin<\/td>\n<\/tr>\n
HARRY COOPER 32.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Harvest Home<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Hash Brown<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmix<\/td>\n<\/tr>\n
Haste to the Wedding<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td>Springfield Technical Community College<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
HASTE TO THE WEDDING 22.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Haymakers<\/a><\/td>[]<\/a><\/td>England<\/td><\/td><\/td>Ador<\/td>\n<\/tr>\n
The Haymakers @ Neal 1726<\/a><\/td>[]<\/a><\/td>England<\/td><\/td><\/td>Amin<\/td>\n<\/tr>\n
The Headlands<\/a><\/td>[]<\/a><\/td>Scottish<\/td>march<\/td>Fiona Cuthill, workshop demo<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Hector the Hero @ Bb<\/a><\/td>[]<\/a><\/td>Scottish<\/td>air<\/td>Hanneke Cassel, lovely and haunting<\/a>
Edinburgh Military Tattoo<\/a>
pipes<\/a><\/td>		Bb<\/td>\n<\/tr>\n
Hector the Hero<\/a><\/td>[]<\/a><\/td>Scottish<\/td>air<\/td>Hanneke Cassel, lovely and haunting<\/a>
[Transatlantic Sessions, Jenna Reid, Aly Bain and Phil Cunningham] [https:\/\/www.youtube.com\/watch?v=TCwut-wg7fE]
Edinburgh Military Tattoo<\/a>
pipes<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Hector the Hero @ 6-8<\/a><\/td>[]<\/a><\/td>Scottish<\/td>air<\/td>Hanneke Cassel, lovely and haunting<\/a>
Edinburgh Military Tattoo<\/a>
pipes<\/a>
[Transatlantic Sessions, Jenna Reid, Aly Bain and Phil Cunningham] [https:\/\/www.youtube.com\/watch?v=TCwut-wg7fE]<\/td>		Amaj<\/td>\n<\/tr>\n
Hell Up Coal Holler @ 1<\/a><\/td>[]<\/a><\/td>American Old Time<\/td><\/td><\/td>Cmaj<\/td>\n<\/tr>\n
Hewlett<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td>Planxty<\/a>
lesson<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
High Clouds<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>David Kaynor+<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
HIGH LEVEL (HORNPIPE) 55.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe, reel<\/td><\/td>Bb<\/td>\n<\/tr>\n
Highland Harry<\/a><\/td>[]<\/a><\/td>Irish<\/td>strathspey<\/td><\/td>Ador<\/td>\n<\/tr>\n
The Highlander’s Farewell to Ireland<\/a><\/td>[]<\/a><\/td>Irish<\/td>strathspey<\/td>Alistair Fraser & Natalie Haas<\/a><\/td>Ador<\/td>\n<\/tr>\n
The Highlander’s Farewell To Ireland<\/a><\/td>[]<\/a><\/td>Scottish<\/td>strathspey<\/td>Liz Faiella<\/a><\/td>Ador<\/td>\n<\/tr>\n
Highlander’s Farewell<\/a><\/td>[]<\/a><\/td>American Old-Time<\/td>reel<\/td>Alasdair Graser Natalie Haas<\/a><\/td>Ador<\/td>\n<\/tr>\n
The Hippodrome<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmaj
\nBbmaj<\/td>\n<\/tr>\n
HOG EYE AN’ A ‘TATER 75.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amin<\/td>\n<\/tr>\n
Home with the Girls in the Morning<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Deseret String Band<\/a>
Bob Wills<\/a>
Tricia Spencer & Howard Rains<\/a><\/td>		Ddor<\/td>\n<\/tr>\n
Homeward Bound<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
THE HONEYCOMB ROCK 11A.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td><\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The House in Rose Valley<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>EMin<\/td>\n<\/tr>\n
Howlin’ Bill<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Hull’s Victory<\/a><\/td>[]<\/a><\/td>New England<\/td>march<\/td>Rodney Miller<\/a><\/td>Fmaj<\/td>\n<\/tr>\n
The Humours of Ballyloughlin<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj
\nDmaj<\/td>\n<\/tr>\n
The Humours of Glendart<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Hundred Pipers<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td>Michael Muir<\/a>
The Good Tune<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Hunting the Buffalo @ A<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Hunting the Buffalo @ D<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Huntingtone Castle<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>march<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
I Buried my Wife and Danced On Top of Her Grave<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Martin Hayes<\/a>
Foinn Session<\/a><\/td>		Dmix<\/td>\n<\/tr>\n
I Lost My Love<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>jig<\/td><\/td>Amin<\/td>\n<\/tr>\n
I Miss the California Climate<\/a><\/td>[]<\/a><\/td>Modern<\/td>reel<\/td>Cosmic Otters<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
I Ne’er Shall Wean Her<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
I’ll Buy Boots For Maggie<\/a><\/td>[]<\/a><\/td>Ireland<\/td>reel<\/td>Billy McComiskey<\/a>
Chris Vitas<\/a><\/td>		Amin<\/td>\n<\/tr>\n
\u00celes de la Madeleine<\/a><\/td>[]<\/a><\/td>Quebec<\/td>Waltz<\/td><\/td>Amaj<\/td>\n<\/tr>\n
I’LL DANCE A JIG AND I’LL DANCE NO MORE 7.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Amix<\/td>\n<\/tr>\n
Indian Corn<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Chirps Smith and Stephanie Coleman<\/a>
Arto Jarvela, harmony for above<\/a>
Bigfoot String Band (Rhys Jones)<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Inisheer<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Inisheer @MadCoCo<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Inishowen<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td>with Danny McLaughlin<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Inishowen jig<\/a><\/td>[]<\/a><\/td><\/td>jig<\/td><\/td>Bmin<\/td>\n<\/tr>\n
The Inter-Island<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Bmin<\/td>\n<\/tr>\n
The Irish Jaunting Car<\/a><\/td>[]<\/a><\/td>Irish<\/td>march<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Irish March<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Issoudun<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Archetype Trad & Claude Meth\u00e9<\/a><\/td>Amaj<\/td>\n<\/tr>\n
It’s Only a Model<\/a><\/td>[]<\/a><\/td><\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
It’s So Quiet Waltz<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Itzikel<\/a><\/td>[]<\/a><\/td>Klezmer<\/td>frailach<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Itzikel<\/a><\/td>[]<\/a><\/td>Eastern European<\/td>frailach<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Jack’s River Song<\/a><\/td>[]<\/a><\/td>modern<\/td>air<\/td><\/td>Bb<\/td>\n<\/tr>\n
Jackson Stomp<\/a><\/td>[]<\/a><\/td>jug band<\/td>reel<\/td>Mississippi Mud Steppers (1930)Jackson Stomp\/Alma Waltz; OKEH 45504<\/td>Amaj<\/td>\n<\/tr>\n
Jacky Tar<\/a><\/td>[]<\/a><\/td>Scottish<\/td>hornpipe<\/td><\/td>Emin<\/td>\n<\/tr>\n
Jammin’ the Breaks<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Amin<\/td>\n<\/tr>\n
The Jay Bird @ fife<\/a><\/td>[]<\/a><\/td>Fife and Drum<\/td>march<\/td>fife and drum<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Jaybird<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Jeff City<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Jefferson and Liberty<\/a><\/td>[]<\/a><\/td>New England<\/td>jig<\/td>Lissa Schneckenburger<\/a><\/td>Ador<\/td>\n<\/tr>\n
Jenny Dang The Weaver<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Jenny Lind<\/a><\/td>[]<\/a><\/td>American Popular<\/td>polka<\/td>Edward II – recording<\/a>
Edward II – Live<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Jenny Lind @ Edward II<\/a><\/td>[]<\/a><\/td>USA<\/td>polka<\/td>Edward II – recording<\/a>
Edward II – Live<\/a>
dead link?<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Jenny Lind @ Hardy<\/a><\/td>[]<\/a><\/td>American Popular<\/td>polka<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Jenny’s Chickens<\/a><\/td>[]<\/a><\/td>Ireland<\/td>reel<\/td>Andy McGann & Paul Brady<\/a><\/td>Bdor<\/td>\n<\/tr>\n
Jig of Slurs<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td>Hanneke Cassel<\/a><\/td>Dmaj
\nGmaj<\/td>\n<\/tr>\n
Hommage \u00e0 Jimmy De Genova<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>Waltz<\/td>Rachel Aucoin & Laurel Risk<\/a>
Bruno Kowalczyk<\/a><\/td>		Bmin<\/td>\n<\/tr>\n
Jimmy in the Swamp<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Old Town School<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
JINNY IN THE LOWLANDS 4.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
John Cunningham’s Return to Edinburgh<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Relativity<\/td>Cmaj<\/td>\n<\/tr>\n
JOHN NEWGRANT COME HOME WITH A PAIN IN HIS HEAD 94.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
John Stenson’s #2<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Johnny Docherty’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Johnny Doherty’s March<\/a><\/td>[]<\/a><\/td>Irish<\/td>march<\/td>Shanachie 78048 track 2a<\/td>Edor<\/td>\n<\/tr>\n
Johnny and Dorothy Livingston<\/a><\/td>[]<\/a><\/td>Scottish<\/td>march<\/td>Mairi Campbell<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
JOHNNY GET YOUR HAIR CUT 71.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel, polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Johnny Harling’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Hommage \u00e0 Jos Bouchard<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>6\/8<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Josefin’s Dopvals<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>waltz<\/td>by the composer, live, with V\u00e4sen<\/a><\/td>Fmaj<\/td>\n<\/tr>\n
Josefin’s Dopvals @ D<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>waltz<\/td>by the composer, live, with V\u00e4sen<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Josefin’s Dopvals @ G<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>waltz<\/td>by the composer, live, with V\u00e4sen<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Joys of Quebec<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Ward Allen – very fast<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Judy and Jim’s Wedding<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>Indianapolis Ceili Band<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Julia Delaney<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Eileen who-needs-backup Ivers<\/a>
Fergal Scahill’s tune a day<\/a><\/td>		Dmin<\/td>\n<\/tr>\n
Julia Delaney @ MJ<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Eileen who-needs-backup Ivers<\/a>
Fergal Scahill’s tune a day<\/a><\/td>		Dmin<\/td>\n<\/tr>\n
Julianne Johnson<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Julianne Johnson @ Portland<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Jump at the Sun<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td>slow<\/a>
John Kirkpatrick (composer)<\/a><\/td>		Emin<\/td>\n<\/tr>\n
June Apple<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Doc Watson and David Holt<\/a>
Michael Daves & Friends<\/a><\/td>		AMix<\/td>\n<\/tr>\n
Kansas City Reel<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Dan Levenson at jam in Tucson<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Karapyet<\/a><\/td>[]<\/a><\/td>Eastern European<\/td>reel<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Karis Pers polska<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>polska<\/td>Dalarnas Spelmansf\u00f6rbund<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Katushka<\/a><\/td>[]<\/a><\/td>Eastern European<\/td>reel<\/td><\/td>Amin<\/td>\n<\/tr>\n
Keel Row<\/a><\/td>[]<\/a><\/td>English<\/td>hornpipe<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Kemp’s jig<\/a><\/td>[]<\/a><\/td>Playford<\/td>reel<\/td>Jan Akkerman<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Kenneth Murphy<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Kentucky Waltz<\/a><\/td>[]<\/a><\/td>Bluegrass<\/td>waltz<\/td>song<\/a>
instrumental<\/a>
Charlie Walden teaching<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
The Kerfunken<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Kesh<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>The Bothy Band – iconic<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
The Kid on the Mountain<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Emin<\/td>\n<\/tr>\n
Killavil Fancy<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>The Barra MacNeils – Traditional Album
Pierre Schreyer – New Canadian Waltz<\/td>		Gmaj<\/td>\n<\/tr>\n
King Of The Fairies<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td>Liz Faiella<\/a>
Valar<\/a><\/td>		Edor<\/td>\n<\/tr>\n
King George IV<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>strathspey<\/td><\/td>Amin
\nAmix<\/td>\n<\/tr>\n
The King’s Reel<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>reel<\/td><\/td>AMix<\/td>\n<\/tr>\n
THE KING’S HEAD 21.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Kitchen Girl<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>OT<\/a>
Old Town School<\/a><\/td>		Amix
\nAdor<\/td>\n<\/tr>\n
Kitty McGee<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Klickitat<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Korobushka<\/a><\/td>[]<\/a><\/td>Eastern European<\/td>reel<\/td><\/td>Gmin<\/td>\n<\/tr>\n
Lady Of The Lake<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Dmix<\/td>\n<\/tr>\n
Lady of the Lake @ Ashby<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>County 727, John Ashby – Old Virginia Fiddling (1971)
John Ashby<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Lament for Adina’s Car<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>QPlus<\/td>Dmin<\/td>\n<\/tr>\n
Lament of The First Generation<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td>Liz Carroll with Steve Cooney<\/a><\/td>DMix<\/td>\n<\/tr>\n
Lamplighter’s Hornpipe<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
LANEY TUNIN’ HIS FIDDLE 29.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Langstrom’s Pony<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>le Ceolt\u00f3iri Cult\u00farlainne<\/a><\/td>Amix<\/td>\n<\/tr>\n
LARDNER’S REEL 20.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
LEATHER BREECHES 16.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Leather Britches<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Tim Gardner & David Holt<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Levi Jackson Rag<\/a><\/td>[]<\/a><\/td><\/td>rag<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Liberty<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Bob Wills<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Life’s Fortune<\/a><\/td>[]<\/a><\/td>Old Time<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Lilting Banshee<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>One out of the Fort, Johnny Henry – Fiddle (listed as Whistling Banshee)<\/td>Ador<\/td>\n<\/tr>\n
Little Burnt Potato<\/a><\/td>[]<\/a><\/td>Canadian<\/td>jig<\/td>Graham Townsend<\/a>
Natalie Padilla<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
LITTLE HORNPIPE 34.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
LITTLE HORNPIPE 34.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Little Liza Jane<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>J.P. and Annadeene Fraley<\/a><\/td>Amaj<\/td>\n<\/tr>\n
The Little Princess Footsteps<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
Little Rabbit<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Crockett’s Kentucky Mountaineers<\/a>
Crown 3172 (78 RPM). Crockett’s Kentucky Mountaineers (1931)
Yazoo 2200, Crockett’s Kentucky Mountaineers – Kentucky Mountain Music, vol. 1 (2003)<\/td>		Amaj<\/td>\n<\/tr>\n
Liza Jane<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Loch Leven Castle<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>hornpipe<\/td><\/td>Amin<\/td>\n<\/tr>\n
The Log-Splitter’s Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
THE LOP-EARED MULE 56.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Lorena<\/a><\/td>[]<\/a><\/td><\/td>air<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Lost My Love<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>jig<\/td><\/td>Amin<\/td>\n<\/tr>\n
Lost Partridge<\/a><\/td>[]<\/a><\/td>Kentucky<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Louis Cyr<\/a><\/td>[]<\/a><\/td>Quebec<\/td>reel<\/td>jam<\/a>
Sur le bout deu banc<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Louis Waltz<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Da Lounge Bar<\/a><\/td>[]<\/a><\/td>Shetland<\/td>jig<\/td>Annlaug Borsheim w\/ Rannveig Dj\u00f8nne<\/a>
3 part anglo-scandi<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
The Lucky Trapper<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Luke Skywalker Walks On Sunshine<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Mari Black<\/a>
Im\u00e0r<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Maam<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Ddor<\/td>\n<\/tr>\n
MacArthur Road<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Fergal Scahill<\/a><\/td>Emaj<\/td>\n<\/tr>\n
MACDONAHUE’S HORNPIPE 73.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe, reel<\/td><\/td>D<\/td>\n<\/tr>\n
MAGGOTS IN THE SHEEP HIDE 62.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
MAGGOTS IN THE SHEEP HIDE 63.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
MAGGOTS IN THE SHEEP HIDE 64.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj
\nDmaj<\/td>\n<\/tr>\n
Magic Foot<\/a><\/td>[]<\/a><\/td>modern<\/td>hornpipe<\/td><\/td>Amaj<\/td>\n<\/tr>\n
The Magnetic Reel<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Magpie<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Fuzzy Mountain String Band<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Maguire and Paterson<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td>Sharon Shannon & Alan Connor<\/a>
composer Robbie Overson on guitar<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Mairi’s Wedding<\/a><\/td>[]<\/a><\/td>Scottish<\/td>strathspey<\/td>Pressley Girls<\/a>
Sarah Loughran<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
La Maison de Gl\u00e2ce<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td>R\u00e9jean & Andr\u00e9 Brunet<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Man Eater<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Field recording by John Harrod c. 1975
John Masters<\/a>
John Harrod’s recording of John Masters<\/a>
Aisha Ivey and Chuck Levy<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
March of St Timothy<\/a><\/td>[]<\/a><\/td>modern<\/td>march<\/td>contradance in Flanders<\/a>
accordion<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
MARCH TUNE (THE SECOND PART OF RANAHAN’S MARCH) 91.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Marche Alexis<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Marche au camp @ MS<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Marche au camp @ F<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td>Yann Falquet & Eric Boodman @Fiddle Hell<\/a>
Hart, Sandell, Marchand<\/a><\/td>		Fmaj<\/td>\n<\/tr>\n
Marche au camp @ G<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td>Yann Falquet & Eric Boodman @Fiddle Hell<\/a>
Hart, Sandell, Marchand<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Marche \u00e0 Qu\u00eateux Pomerleau<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td>Lisa Ornstein<\/a>
Andr\u00e9 Brunet, demo<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Marche des \u00e9l\u00e8ves<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Marching Through Georgia<\/a><\/td>[]<\/a><\/td>Civil War<\/td>march<\/td>Jay Unger and Molly Mason<\/a>
Songs Of The Civil War \u2117 1991 Sony Music Entertainment Inc.<\/td>		Cmaj<\/td>\n<\/tr>\n
Margaret’s Waltz<\/a><\/td>[]<\/a><\/td>English<\/td>waltz<\/td>Aly Bain and Peerie Willie Johnston<\/a>
Buddy McMaster<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Margaret’s Waltz @ MadCoCo<\/a><\/td>[]<\/a><\/td>English<\/td>waltz<\/td>Aly Bain and Peerie Willie Johnston<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Marie Jeanne Gabrielle<\/a><\/td>[]<\/a><\/td>Breton<\/td>waltz<\/td>sung by composer Louis Capart<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Mazurka Des \u00c9coliers De Saint Genest<\/a><\/td>[]<\/a><\/td><\/td>mazurka<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Mazurka De Gilles Chabenat<\/a><\/td>[]<\/a><\/td><\/td>slip jig<\/td><\/td>Dmin<\/td>\n<\/tr>\n
THE MCCLELLANTOWN HORNPIPE 11B.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>G<\/td>\n<\/tr>\n
THE MCCLELLANTOWN HORNPIPE 11B.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Le M\u00e9canicien<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Merrily Kiss The Quaker<\/a><\/td>[]<\/a><\/td>Irish<\/td>slide<\/td>Planxty<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
The Merry Blacksmith<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Metsakukkia<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>waltz<\/td>Caf\u00e9 Musique<\/a>
Jay Ungar & Molly Mason<\/a><\/td>		Gmin<\/td>\n<\/tr>\n
Michael’s Mazurka<\/a><\/td>[]<\/a><\/td>Shetland<\/td>mazurka<\/td>Heather Swanson with Jacqueline Schwab<\/a>
Susan Reid, David Kaynor & friends<\/a>
Fiddler’s Bid<\/a><\/td>		Gmaj
\nGdor ^F
\nGmaj<\/td>\n<\/tr>\n
Midnight On The Water<\/a><\/td>[]<\/a><\/td>Texas<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Miller’s Reel<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Miss Lyall’s<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>strathspey<\/td><\/td>Amin<\/td>\n<\/tr>\n
Miss McLeod’s<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Miss Monahan’s Reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Miss Shepherd<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td>[Hanneke Cassel][https:\/\/youtu.be\/sgZjeAZ_enQ?si=xQc0meNKPVerUL3E&t=14]<\/td>Amin<\/td>\n<\/tr>\n
The Missing Title<\/a><\/td>[]<\/a><\/td>English Country Dance<\/td>strathspey<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Mississippi Palisades<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Chirps Smith () Home Recordings v.2
Chirps, Demo<\/a>
Chirps, Slow<\/a>
Chirps and Charlie Walden<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Mississippi Sawyer<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Mississippi Sawyer @ MJ<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Moccasin Shuffle<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td>Jamie Fox with Scotty Leach and Cameron DeWitt<\/a>
Rachel Aucoin from Frank Ferrel, end of A is short<\/a>
Robichaud Brothers (1996) The Slippery Stick: Traditional Fiddling from New Brunswick, Rounder Records: Rounder CD 7016<\/td>		Amin<\/td>\n<\/tr>\n
Mominette<\/a><\/td>[]<\/a><\/td>France<\/td>schottische<\/td><\/td>Emin<\/td>\n<\/tr>\n
The Monaghan<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Edor<\/td>\n<\/tr>\n
Money in Both Pockets<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>George Penk, Clyde Curley & Susan Songer – A Portland Selection<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Money Musk<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td>Bring Back Mony Musk<\/a>
David Kaynor with Lissa Schneckenburger and Becky Tracy<\/a>
Betsy Branch & David Kaynor<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Money Musk (simplified)<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td>Bring Back Mony Musk<\/a>
David Kaynor with Lissa Schneckenburger and Becky Tracy<\/a>
Betsy Branch & David Kaynor<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
The Moon And The Seven Stars<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td>Stewart Hardy<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Moonlight on the River Colorado @ F<\/a><\/td>[]<\/a><\/td><\/td><\/td><\/td>Fmaj<\/td>\n<\/tr>\n
La Moquine<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Zigue, Musique de Coeur, 2017 trak 5 @4:44
Zigue<\/a>
E.T.E., Le boire des minuits, 2017 (track 10@3:34)
\u00c9T\u00c9<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
the Morning Dew<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Morpeth Rant<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td>solo fiddle<\/a>
fiddle, concertina, accordion, guitar – from Jakarta!<\/a>
melodeon<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Morrison’s Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Edor<\/td>\n<\/tr>\n
Motel Henry<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Beantown Stomp<\/a>
Elixir<\/a>
Alexis Chartrand<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Mountain House<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Mountain House @ G<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Mouth of the Tobique @ leadsheet<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td>Sharon Shannon (1998) Spellbound: the Best of Sharon Shannon, Daisy (with Lad O’Beirne’s and Dowd’s Favorite)
Mari Black demo and lesson – not French Canadian<\/a>
Don Messer – earliest recording?<\/a>
Patty Kusturock with Frank Ferrell<\/a>
Sharon Shannon w\/Win Horan et al<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
The Mouth of the Tobique<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td>Patty Kusturock with Frank Ferrell<\/a>
Don Messer – earliest recording?<\/a>
Sharon Shannon (1998) Spellbound: the Best of Sharon Shannon, Daisy (with Lad O’Beirne’s and Dowd’s Favorite)
Mari Black demo and lesson – not French Canadian<\/a>
Sharon Shannon w\/Win Horan et al<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
MUDDY WATER 43.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe, reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Mui\u00f1eira De Chantada<\/a><\/td>[]<\/a><\/td>Galicia<\/td>muineira<\/td><\/td>Dmin
\nDmaj<\/td>\n<\/tr>\n
Murray River Jig<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>jig<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Music for a Found Harmonium<\/a><\/td>[]<\/a><\/td>American<\/td>reel<\/td><\/td>Dmaj
\nFmaj
\nDmaj<\/td>\n<\/tr>\n
The Musical Priest<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Bdor<\/td>\n<\/tr>\n
Must She Keep Playing That<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Bmin<\/td>\n<\/tr>\n
My Cape Breton Home<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>waltz<\/td>Jerry Holland<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
My Darling Asleep<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Le M\u00e9canicien<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Nail that Catfish to a Tree<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Steve Rosen, slow<\/a>
Volo Bogtrotters demo<\/a>
Volo Bogtrotters, performance<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Nail that Catfish to a Tree @madcoco<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Steve Rosen, slow<\/a>
Volo Bogtrotters demo<\/a>
Volo Bogtrotters, performance<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
NAPOLEON CROSSING THE RHINE 88A.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>slow march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Needlecase<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Dan Levenson<\/a>
Bob Carlin<\/a><\/td>		D<\/td>\n<\/tr>\n
Never Far Away<\/a><\/td>[]<\/a><\/td><\/td>air<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Never Stop Dancing<\/a><\/td>[]<\/a><\/td><\/td><\/td><\/td>Cmix<\/td>\n<\/tr>\n
The New Brunswick<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>slide<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The New Leaf<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Da New Rigged Ship<\/a><\/td>[]<\/a><\/td>Shetland<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
The New Rigged Ship<\/a><\/td>[]<\/a><\/td>Shetland<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Newcastle<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td>the Broadside Band<\/a>
Alan Jabbour<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Niel Gow’s Lament for his Second Wife<\/a><\/td>[]<\/a><\/td>Scottish<\/td>air<\/td>Laura Risk<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
The Nine Pint Coggie<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
Nixon’s Farewell<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>by composer Curt Bouterse, with words!<\/a>
nice porch jam<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
North Carolina Breakdown<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
O DEAR MOTHER MY TOES ARE SORE 6.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Amin<\/td>\n<\/tr>\n
O’Keefe’s Slide<\/a><\/td>[]<\/a><\/td><\/td>slide<\/td><\/td>Ador<\/td>\n<\/tr>\n
Off to California<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Oh Susanna<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Old Bush<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Hayes and Cahill<\/a><\/td>Dmix<\/td>\n<\/tr>\n
Old Chattanooga<\/a><\/td>[]<\/a><\/td>Americann Old Time<\/td>reel<\/td><\/td>G<\/td>\n<\/tr>\n
The Old Copperplate<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
The Old Favorite<\/a><\/td>[]<\/a><\/td>Irish<\/td>Slide<\/td>Martin Hayes<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Old French<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj
\nAmix<\/td>\n<\/tr>\n
Old Gray Cat<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Old Grimes<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe<\/td>Fiddlin\u2019 Dave and Terence Blum-Marciano<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Old Hag You Have Killed Me<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Shannon & Matt Heaton<\/a><\/td>Dmix<\/td>\n<\/tr>\n
Old Joe Clark<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Old Joe Clark @ MadCoCo<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
THE OLD MAN AND OLD WOMAN SCOLDIN’ 80.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td><\/td><\/td>Dmaj<\/td>\n<\/tr>\n
OLD MARCH 44.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig, march<\/td><\/td>Edor<\/td>\n<\/tr>\n
Old Mother Flanagan<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
OLD REEL 33.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Old Tom Of Oxford<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Old Tom Of Oxford @ 6<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Old Yeller Dog (Came Trottin’ Through the Meeting House)<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Old Yeller Dog (Came Trottin’ Through the Meeting House) @ MacCoCo<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Olga Blom’s Waltz<\/a><\/td>[]<\/a><\/td>Scandi<\/td>waltz<\/td>diatonic accordion & guitar<\/a><\/td>Cmaj<\/td>\n<\/tr>\n
Olives and Oreos<\/a><\/td>[]<\/a><\/td><\/td><\/td><\/td>Dmin<\/td>\n<\/tr>\n
On the Danforth<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>[Stepwise Band])https:\/\/www.youtube.com\/watch?v=iKXCgyScGOE&list=PL9vxfnFxXBYf6-jUH01Sj_MJzOu2HvOg6&index=22)
House concert, set ends with the Wren<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
The One-Horned Sheep<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Ookpic Waltz @ Rogers<\/a><\/td>[]<\/a><\/td>Canadian<\/td>waltz<\/td>by the composer – original version<\/a>
Maple Sugar, 1965? Point P-250<\/td>		Emin<\/td>\n<\/tr>\n
Orgullosa<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>Amy on piano<\/a><\/td>Emin<\/td>\n<\/tr>\n
Out on the Ocean<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Liz Faiella<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Out on the Ocean @ MadCoCo<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Over The Causeway<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Moving Violations<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Over the Fell Water<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Over The Water To Charlie<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Over the Waterfall<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmix
\nDmaj<\/td>\n<\/tr>\n
Over the Waterfall @ MadCoCo<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Le P’tit bal \u00e0 l’huile<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
P\u00e5 F\u00f6rekommen Anledning<\/a><\/td>[]<\/a><\/td><\/td><\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Paddy on the Handcar<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
Paddy On The Turnpike<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Gdor<\/td>\n<\/tr>\n
PADDY ON THE TURNPIKE 31A.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
PADDY ON THE TURNPIKE 31B.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Paris Nights<\/a><\/td>[]<\/a><\/td>musette<\/td>waltz<\/td>Kevin Burke & Cal Scott<\/a>
Kevin Burke and Cal Scott (2007) Across the Black River<\/td>		Amin<\/td>\n<\/tr>\n
The Parsons Farewell<\/a><\/td>[]<\/a><\/td>English<\/td>reel<\/td>Black Sails. Rocks!<\/a><\/td>Dmin<\/td>\n<\/tr>\n
Partie de quadrille de l’\u00cele d’Orl\u00e9ans<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>6\/8<\/td>Sur le bout du banc<\/a>
Partie De Quadrille de I’\u00eele d’Orleans.mp3 (local)<\/td>		Dmaj<\/td>\n<\/tr>\n
Patrick at Perley Brook<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Pays d’Haut<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Peacock Rag @ D<\/a><\/td>[]<\/a><\/td>Ragtime<\/td>rag<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Peacock Rag @ G<\/a><\/td>[]<\/a><\/td>Ragtime<\/td>rag<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Pearl<\/a><\/td>[]<\/a><\/td>Irish<\/td>air<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Pennsylvania Fifers<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Pera Stous Pera Kambous<\/a><\/td>[]<\/a><\/td><\/td><\/td><\/td>Dmin<\/td>\n<\/tr>\n
P\u00e8re Doiron<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>on mandolin<\/a><\/td>Amix<\/td>\n<\/tr>\n
La P\u00e8teuse<\/a><\/td>[]<\/a><\/td><\/td><\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>D<\/td>\n<\/tr>\n
La petite galope de Jules Verret<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Petronella<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>very fast<\/a>
Lissa Schneckenberger & Benthany Waickman<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Hommage \u00e0 Philippe Bruneau<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>La Bottine Souriante<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
The Phone Call<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Bbmaj<\/td>\n<\/tr>\n
Pig Ankle Rag<\/a><\/td>[]<\/a><\/td>jug band<\/td>waltz<\/td>Highwoods String Band – “Feed Your Babies Onions.” Rounder CD 11569<\/td>Dmaj<\/td>\n<\/tr>\n
Pipe on the Hob @ O’Neill<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
Pipe on the Hob @ the Session<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmix
\nDmaj<\/td>\n<\/tr>\n
Pipe on the Hob @ Waugh<\/a><\/td>[]<\/a><\/td><\/td>jig<\/td><\/td>Dmix
\nDmaj<\/td>\n<\/tr>\n
Planxty George Brabazon @ 1st Air<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Planxty George Brabazon @ 2nd Setting<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Planxty Irwin<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Polka M\u00e9o<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Polka M\u00e9o @ v1<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Polka Meo @ v2<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Popcorn Behavior<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Popcorn Behavior<\/a>
slow in a dance set<\/a><\/td>		Amin<\/td>\n<\/tr>\n
Possum up a Gum Stump<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Le poteau blanc<\/a><\/td>[]<\/a><\/td>Quebec<\/td>reel<\/td>Jos. Allard<\/a>
Andr\u00e9 Brunet et al<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Les Poules Hupp\u00e9es<\/a><\/td>[]<\/a><\/td>French<\/td>bourr\u00e9e<\/td>original recording by the composer<\/a>
spirited dance performance<\/a>
Flatworld. A medieval style performance<\/a><\/td>		Ddor<\/td>\n<\/tr>\n
Prairie Spring<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Pretty Little Dog @ Waugh<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amin<\/td>\n<\/tr>\n
Pretty Little Dog @ Triplett<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Lee Triplett<\/a>
Foghorn<\/a><\/td>		Amin<\/td>\n<\/tr>\n
The Pride Of Petravore<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td><\/td>Emin<\/td>\n<\/tr>\n
Le Printemps<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>R\u00e9jean & Andr\u00e9 Brunet<\/a>
Les Fr\u00e8res Brunet CD<\/td>		Dmaj<\/td>\n<\/tr>\n
La promeneuse<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>march<\/td>Pascal Gemme & Yann Falquet<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Puncheon Floor<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj
\nDmaj<\/td>\n<\/tr>\n
Purple Lilies Polka<\/a><\/td>[]<\/a><\/td>Gu-Achi \/ Tohono O’odham<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Purple Lilies Polka @ Lamancusa<\/a><\/td>[]<\/a><\/td>Gu-Achi \/ Tohono O’odham<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
QUADRILLE 13.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
QUADRILLE 30.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
QUADRILLE 37.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Amaj<\/td>\n<\/tr>\n
QUADRILLE 38.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Amaj<\/td>\n<\/tr>\n
QUADRILLE 41.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Amaj<\/td>\n<\/tr>\n
QUADRILLE 46.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
QUADRILLE 47.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Gmin<\/td>\n<\/tr>\n
QUADRILLE 51.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
QUADRILLE 53.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
QUADRILLE 59.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj
\nGmaj<\/td>\n<\/tr>\n
QUADRILLE 61.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
QUADRILLE 65.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
QUADRILLE 77.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
QUADRILLE 78.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
QUADRILLE AND HORNPIPE 50.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Quadrille de Rivi\u00e8re du Loup<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Quatres fer en l’air<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
La rachoudine<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>brandy<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne”<\/a><\/td>Amaj<\/td>\n<\/tr>\n
La rachoudine @ Pascal<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>brandy<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Ragtime Annie<\/a><\/td>[]<\/a><\/td>Texas<\/td>rag<\/td><\/td>Dmaj
\nGmaj<\/td>\n<\/tr>\n
Rakes of Mallow<\/a><\/td>[]<\/a><\/td>English<\/td>polka<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Rambling Pitchfork<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Ramnee Ceilidh<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
RANAHAN’S MARCH 90.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Le rapide du joual blanc<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Arthur Coates<\/a>
nice set<\/a><\/td>		Edor<\/td>\n<\/tr>\n
Rare<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
A Recent Fall<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td><\/td>Emin<\/td>\n<\/tr>\n
The Reconciliation Reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Fergal Scahill<\/a><\/td>Amaj<\/td>\n<\/tr>\n
THE RED BRICK HOUSE IN GEORGIA TOWN 48.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
Red Haired Boy<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Red Hills Polka<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Red Scare<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Gmin<\/td>\n<\/tr>\n
Red Wing<\/a><\/td>[]<\/a><\/td>Tin Pan Alley<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
REEL 12.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
REEL 49.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Bb<\/td>\n<\/tr>\n
REEL 5.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
REEL 79.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Cmaj
\nGmaj<\/td>\n<\/tr>\n
REEL 81.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
REEL 82.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel, hornpipe<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
REEL 83.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Reel ABC<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Vent du Nord<\/a><\/td>Edor<\/td>\n<\/tr>\n
Reel des accord\u00e9onistes<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>ensemble<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de l’Amiti\u00e9<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel \u00e0 quatre d’Antonio Gautier<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Reel Arthur<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Reel B\u00e8atrice<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>La Bottine Souriante “Je Voudrais Changer D’Chapeau”<\/td>Amin<\/td>\n<\/tr>\n
Reel B\u00e8atrice @ 1<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>jazzy<\/a>
with Point au Pic<\/a>
Bruno Kowalczyk – slowish<\/a><\/td>		Amin<\/td>\n<\/tr>\n
Reel B\u00e9atrice @ 2<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td><\/td><\/td>Amin<\/td>\n<\/tr>\n
Reel de Bellechasse<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>harmonica<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Beloeil @ MS<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Beloeil @ Raz de Mar\u00e9e<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>from Raz de Mar\u00e9e<\/a>
from Raz de Mar\u00e9e w\/other Hommage a Philippe Bruneau<\/a>
Raz de Mar\u00e9e (2007) Tidal Wave, track 10 at 1:40. Great Meadow Music<\/td>		Dmaj<\/td>\n<\/tr>\n
Reel de Bergeville<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Raz de Mar\u00e9e track on web<\/a>
Andr\u00e9 Brunet lesson sample<\/a>
Raz de Mar\u00e9e (2007) Great Meadow Music, track 6 at 3:32<\/td>		Dmaj<\/td>\n<\/tr>\n
Reel la Caraquette<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Reel de Caribou @ MS45<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Caribou @ MS46<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Ch\u00e2teauguay<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Reel Chicoutimi<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Reel des Cinq Jumelles<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj
\nGmaj
\nDmaj<\/td>\n<\/tr>\n
Reel du Cultivateur<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Serge Carrier, melodeon<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Drummondville<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Reel des \u00c9boulements<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Gaston Nolet with stepdancers<\/a><\/td>Amaj<\/td>\n<\/tr>\n
reel des Esquimaux<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Reel Eug\u00e8ne @ Pigeon<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Danse ce Soir<\/a>
Patty Kusturock<\/a><\/td>		Amin<\/td>\n<\/tr>\n
Reel Eug\u00e8ne<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Danse ce Soir<\/a>
Patty Kusturock<\/a><\/td>		Bmin<\/td>\n<\/tr>\n
Reel du Faubourg<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel \u00e0 Gastonguay<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>Gmaj<\/td>\n<\/tr>\n
Reel du gaucher<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Reel \u00e0 Georges<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)
\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>		D<\/td>\n<\/tr>\n
Reel des habitants<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Arthur Coates, Claude Meth\u00e9<\/a><\/td>Ador<\/td>\n<\/tr>\n
Reel Iroquois<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Frank Ferrel<\/a>
Elisabeth Moquin<\/a><\/td>		Amin<\/td>\n<\/tr>\n
Reel de Jos Cormier<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Patti Kusturok et al.<\/a>
pub session<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Reel \u00e0 Karine<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne”<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Reel L\u00e9vis Beaulieu<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Andr\u00e9 Brunet demo<\/a>
Bruno Kowalczyk<\/a><\/td>		Amaj
\nAmix<\/td>\n<\/tr>\n
Reel \u00e0 Marie-Pierre<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne”<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Reel de Mattawa<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>pub session<\/a>
w\/the composer<\/a>
Pitnacree, following Belle Catherine<\/a><\/td>		Edor<\/td>\n<\/tr>\n
Reel des menteries<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel Mimeault<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel la Mocoque<\/a><\/td>[]<\/a><\/td>Acadien<\/td>reel<\/td>Devon Leger<\/a>
Peter Arsenault<\/a><\/td>		Amix<\/td>\n<\/tr>\n
Reel de Mont Marie<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel des montagnards<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>A<\/td>\n<\/tr>\n
Reel de Montebello<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amin<\/td>\n<\/tr>\n
Reel de Montmagny<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel du nord<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Bmin<\/td>\n<\/tr>\n
reel des Oignons<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel du Patineur<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Reel du Pendu @ Bain<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Carignan at house party<\/a>
Ex Pirata, ensemble<\/a>
Aly Bain Version from “Far From Home”<\/td>		Amaj<\/td>\n<\/tr>\n
Reel du Pendu @ Allard<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Discography-Victor 263527 (78 RPM), Joseph Allard (1928)
Carignan at house party<\/a>
Ex Pirata, ensemble<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Reel du Pendu @ MS<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Reel du pere Bruneau<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel du p\u00e8re Verret<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Pointe au Pic<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Jean-Louis Labb\u00e9<\/a>
Andre Brunet, lesson sample<\/a>
Gaston Nolet accordion<\/a>
Danse ce Soir<\/a><\/td>		Cmaj<\/td>\n<\/tr>\n
Reel de Pointe au Pic \u00e0 Bouchard<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Jean-Louis Labb\u00e9<\/a>
Andre Brunet, lesson sample<\/a>
Gaston Nolet accordion<\/a>
Danse ce Soir w\/Fisher’s<\/a><\/td>		Cmaj<\/td>\n<\/tr>\n
Reel de Port Joli<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel \u00e0 quatre<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>reel<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>Dmaj<\/td>\n<\/tr>\n
Reel au ralenti<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Reel du r\u00e9pertoire d’Isidore Soucy<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel De Roberval<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel \u00e0 Robin<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Reel St-Antoine<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>current version Maine Fiddle Camp<\/a>
[Martin Verret p\u00e8re et fils][https:\/\/youtu.be\/R2OgcXAaNsU?si=iWrXkrXXxPTkLhIa&t=29]<\/td>		Amaj<\/td>\n<\/tr>\n
Reel Saint Antoine @ MFC<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>current version Maine Fiddle Camp<\/a>
classic version from Jos Bouchard<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Reel de St Esprit<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel Saint-Jean<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Bmin<\/td>\n<\/tr>\n
Reel Saint Jean @ MS<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel St Marc<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amin<\/td>\n<\/tr>\n
Reel Saint Paul<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Reel de Saint Sim\u00e9on<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel du Semeur<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Sherbrooke<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Accordion version, with teaching<\/a>
Lissa Schneckenburger & Bethany Waickman at HMT<\/a><\/td>		Gmaj
\nDmaj<\/td>\n<\/tr>\n
Reel de la Soupe aux Pois<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>la Famille Soucy<\/a>
 Minnesota Bluegrass & Old-time<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Reel St-Joseph<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Tadoussac<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Reel Ti-M\u00e9<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Charlie Walden+<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Reel Ti-M\u00e9 @ Orstein<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Charlie Walden+<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Reel Ti\u2014Sam<\/a><\/td>[]<\/a><\/td>Quebec<\/td>reel<\/td>with composer<\/a><\/td>Emaj<\/td>\n<\/tr>\n
Reel \u00e0 Toto<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td>Andr\u00e9 Brunet & Martine Billette<\/a>
Andr\u00e9 Brunet lesson<\/a><\/td>		Amix
\nG<\/td>\n<\/tr>\n
Reel de la tuque bleue<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Reel de Valleyfield @ MS<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reel de Valleyfield @ Gaston Nolet<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Gaston Nolet MGQ<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Reel du Verre-Bouteille<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Reel des Vieux Gar\u00e7ons<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
reel de Vieux Moulin<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Reign of Love<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Free Raisins<\/a><\/td>Emin<\/td>\n<\/tr>\n
Le Releveur<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
R\u00eave du Qu\u00eateux Tremblay<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Eileen Ivers<\/a><\/td>Fmaj<\/td>\n<\/tr>\n
Riding on a Load of Hay<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Edor<\/td>\n<\/tr>\n
The Rights of Man<\/a><\/td>[]<\/a><\/td>Irish<\/td>hornpipe<\/td><\/td>Emin<\/td>\n<\/tr>\n
La Riquerenne<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td><\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Jack’s River Song<\/a><\/td>[]<\/a><\/td>modern<\/td>air<\/td><\/td>Bb<\/td>\n<\/tr>\n
THE ROAD TO BOSTON 19.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Road To Errogie<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td>Adam Sutherland<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Road to Boston<\/a><\/td>[]<\/a><\/td>New England<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Road to the Isles<\/a><\/td>[]<\/a><\/td>Scottish<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Road to Lisdoonvarna<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Edor<\/td>\n<\/tr>\n
Robertson’s Reel<\/a><\/td>[]<\/a><\/td>Shetland<\/td>reel<\/td>with Boy’s Lament<\/a><\/td>A<\/td>\n<\/tr>\n
Rock the Cradle Joe<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Rock the Cradle Joe @ MJ<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
ROCK’S HORNPIPE 93.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe, reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
THE ROCKY MOUNTAIN HORNPIPE 3.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Rocky Road to Jordan<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Roddy McCorley<\/a><\/td>[]<\/a><\/td>Irish<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
ROLLING OFF A LOG 14.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Rolling Waves @ Bill the Weaver<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Chloe Davidson<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
The Rolling Waves @ Humors of Trim<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Liz Faiella<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
la Ronde des Voyageurs<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amin
\nAmaj<\/td>\n<\/tr>\n
la Ronde des Voyageurs @ v1<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amin
\nAmaj<\/td>\n<\/tr>\n
la Ronde des Voyageurs @ v2<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Amin
\nAmaj<\/td>\n<\/tr>\n
Rory O’More<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Roscoe<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Annie Staninec with Luke Abbott twin fiddles<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
The Rose in the Heather<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Rose Tree<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
ROSEMONT QUADRILLE 84.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel, polka<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Rosewood<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td>Fergal Scahill<\/a>
Buddy McMaster<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Rosin the Bow<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Ross’s Reel<\/a><\/td>[]<\/a><\/td>New England<\/td>reel<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Round the Horn<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Ruiz Engineering<\/a><\/td>[]<\/a><\/td><\/td>jig<\/td><\/td>Emin<\/td>\n<\/tr>\n
Rundown Boot<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Rush and the Pepper<\/a><\/td>[]<\/a><\/td>American Old Time<\/td><\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Saddle Old Paint<\/a><\/td>[]<\/a><\/td>American Old Time, M\u00e9tis<\/td>reel<\/td>Jamie Fox<\/a>
Fiddlers 3<\/a><\/td>		Gmin<\/td>\n<\/tr>\n
Saddle Old Paint @ leadsheet<\/a><\/td>[]<\/a><\/td>American Old Time, M\u00e9tis<\/td>reel<\/td>Jamie Fox<\/a>
Fiddlers 3<\/a><\/td>		Gmin<\/td>\n<\/tr>\n
Sadie at the Back Door<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmix<\/td>\n<\/tr>\n
Safe Passage<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Sail Away Ladies<\/a><\/td>[]<\/a><\/td>American Old Time<\/td><\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Sailor’s Wife<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td>Hanneke Cassel Lesson<\/a>
from Firefly<\/a><\/td>		Dmin<\/td>\n<\/tr>\n
Saint Anne in the Wilderness<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Dmin<\/td>\n<\/tr>\n
St. Anne’s Reel<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Th\u00e9r\u00e8se Rioux et Keven DesRosiers<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
St-Etienne<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
St. Patrick’s An Dro<\/a><\/td>[]<\/a><\/td>Breton<\/td>an dro<\/td>Carlos Nu\u00f1ez<\/a><\/td>Edor<\/td>\n<\/tr>\n
Sally in the Garden<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Bela Fleck & Abigail Washburn, Cdor<\/a>
Laurel Premo, Anna Gustavsson – gourd banjo and nyckelharpa<\/a>
Critton Hollow String Band<\/a>
I Walked Abroad – Laurel Premo & Anna Gustavsson (700261447285)
That Banjo from Hell – Harry Bollick & Ken Bloom – Paulstarr Enterprise (Cave Music)<\/td>		Ador<\/td>\n<\/tr>\n
Sally in the Garden @ Cdor<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Bela Fleck & Abigail Washburn, Cdor<\/a>
Laurel Premo, Anna Gustavsson – gourd banjo and nyckelharpa<\/a>
Critton Hollow String Band<\/a>
I Walked Abroad – Laurel Premo & Anna Gustavsson (700261447285)
That Banjo from Hell – Harry Bollick & Ken Bloom – Paulstarr Enterprise (Cave Music)<\/td>		Cdor<\/td>\n<\/tr>\n
Sally in the Garden @ MJ<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Bela Fleck & Abigail Washburn, Cdor<\/a>
Laurel Premo, Anna Gustavsson – gourd banjo and nyckelharpa<\/a>
Critton Hollow String Band<\/a>
Critton Hollow String Band (2005) Cowboys and Indians 1996 Yodel-Ay-Hee 019
I Walked Abroad – Laurel Premo & Anna Gustavsson (700261447285)
That Banjo from Hell – Harry Bollick & Ken Bloom – Paulstarr Enterprise (Cave Music)<\/td>		Ador<\/td>\n<\/tr>\n
Sally in the Garden, Assisting Sam<\/a><\/td>[]<\/a><\/td>Old Time<\/td>reel<\/td>Uncle William Raines<\/a>
Natalie Brejcha<\/a><\/td>		Amin<\/td>\n<\/tr>\n
Sally Gardens<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Salt Creek<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Vi Wickam’s Tune a Day<\/a><\/td>Amix<\/td>\n<\/tr>\n
Sandy Boys @ Am<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amin<\/td>\n<\/tr>\n
Sandy Boys @ Amix<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Sandy River Belle<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
La Sansonette<\/a><\/td>[]<\/a><\/td>France<\/td>reel<\/td>LauraCortese = Haas sisters<\/a><\/td>Dmin<\/td>\n<\/tr>\n
Sarah Armstrong’s Tune<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Saratoga Hornpipe<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>clog<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Sal’s Got Mud Between Her Toes<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Saut du Lapin<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Scatter the Mud<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
The Scholar<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
SCHOTTISCHE 36.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel, hornpipe, shottish<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
SCHOTTISCHE 40.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>shottish<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
SCHOTTISCHE 60.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>shottish<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Schottische Du Stockfish<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>ad Vielle que Pourra<\/a><\/td>Amin<\/td>\n<\/tr>\n
Scollay’s Reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>AM String Band<\/a><\/td>Emin<\/td>\n<\/tr>\n
Scotch Cap<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td><\/td>Ddor<\/td>\n<\/tr>\n
Scotch Hornpipe<\/a><\/td>[]<\/a><\/td>English<\/td>march<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Sean Ryan’s @ Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Sean Ryan’s @ Polka<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Seneca Square Dance<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Seneca Square Dance @ MadCoCo<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Set Am\u00e9ricain<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td><\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Le Set Carr\u00e9 \u00e0 Pitou<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
Shearing the Sheep<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Sheehan’s Reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Natalie MacMaster – Fit as a Fiddle<\/td>Gmaj<\/td>\n<\/tr>\n
Sheepskin and Beeswax<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Pierre Schryer & Adam Dobres, fiddle and guitar<\/a>
Alexis Chartrand<\/a>
La Bottine Souriante<\/a>
Pascal Gemme lesson<\/a><\/td>		Ador<\/td>\n<\/tr>\n
Shenandoah Falls<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Jane Rothfeld and Autumn Lester<\/a><\/td>Amaj<\/td>\n<\/tr>\n
She’s Sweetest When She’s Naked<\/a><\/td>[]<\/a><\/td>Scottish<\/td>waltz<\/td><\/td>Bmin<\/td>\n<\/tr>\n
The Ships Are Sailing<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Shoes And Stockings<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Alan Jabbour, Bertram Levy & James Reed (2002) A Henry Reed Reunion, Track 1<\/td>Gmaj<\/td>\n<\/tr>\n
Shove that Pig’s Foot a Little Farther in the Fire<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Bruce Molsky<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Si Bheag Si Mhor<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Silver Spear<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Slangpolska efter Byss-Calle<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>polska (Slangpolska)<\/td>Huldrelokkk<\/a>
Vasen<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Sleepy Maggie<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Sliabh Russel<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Shannon & Matt Heaton<\/a><\/td>Ador<\/td>\n<\/tr>\n
Sligo Maid<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>(Fergal Scahill)(https:\/\/youtu.be\/_TLNdRu2f6Q)
Steeleye Span<\/a>
Foinn Seisi\u00fan<\/a><\/td>		Ador<\/td>\n<\/tr>\n
Da Slockit Light<\/a><\/td>[]<\/a><\/td>Shetland<\/td>air<\/td>Hanneke Cassel, (beautiful demo with sample lesson)<\/a>
by the composer<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Smash the Windows<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Snouts and Ears of America<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
THE SNOUTS AND EARS OF AMERICA 58.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Snowy Path<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Soggy’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>slip jig<\/td>Beoga<\/a>
Late for the Train<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Soir Et Matin<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Soldier’s Joy<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Gid Tanner & The Skillet Lickers<\/a>
from Will the Circle be Unbroken<\/a>
Franklin George, banjo<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Somarvalsen<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Son of a Bear<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Claude Meth\u00e9<\/a>
Svante Kvarnstr\u00f6m<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Son of a Bear @ MS<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Claude Meth\u00e9<\/a>
Svante Kvarnstr\u00f6m<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Sonny’s Mazurka<\/a><\/td>[]<\/a><\/td>Irish<\/td>mazurka<\/td>Fergal Scahill’s tune a day<\/a>
on harmonica with Valse de Jeunes Filles<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Southwind<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Spandy<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>brandy<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” (2000)<\/td>Gmaj<\/td>\n<\/tr>\n
The Spey In Spate<\/a><\/td>[]<\/a><\/td>Scotland<\/td>reel<\/td><\/td>D<\/td>\n<\/tr>\n
The Spike Island Lasses<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Spootiskerry<\/a><\/td>[]<\/a><\/td>Shetland<\/td>reel<\/td>Stringdancer medley<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Spotted Pony<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
A Spring Day<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Squirrel Heads and Gravy<\/a><\/td>[]<\/a><\/td>American Old-Time<\/td>Reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Squirrel Hunters<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Star of Munster<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>a bit hyper<\/a>
Martin Hayes, Clare Style<\/a><\/td>		Ador<\/td>\n<\/tr>\n
Staten Island<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Step \u00e0 Ti-Phonse<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>gigue<\/td>Celtic Fiddle Festival<\/a>
Stephanie Lepine leading jam<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Stone’s Rag<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>rag<\/td><\/td>Cmaj<\/td>\n<\/tr>\n
STOP TUNE, or TAKE OFF YOUR HAT TO THE LADIES 42.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Strayaway Child<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td>Bothy Band<\/a>
Kevin Burke<\/a>
Dan Compton & Fran Slefer<\/a>
composer Margaret Barry with Michael Gorman<\/a><\/td>		Emin<\/td>\n<\/tr>\n
The Stuart’s Rant<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
OVER THE STUMP AND BACK AGAIN 66.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Style Musette<\/a><\/td>[]<\/a><\/td>Musette<\/td>waltz<\/td>live at a dance – American speed<\/a>
very very musette – French speed<\/a>
plain but good feeling<\/a><\/td>		Fmaj
\nDmaj\\<\/td>\n<\/tr>\n
Sullivan’s Hollow<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Freeney’s Barn Dance Band<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Superfly<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Bmin<\/td>\n<\/tr>\n
The Susan Birds of Wendell<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td>Latter Day Lizards<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Svensk Anna’s Vals<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
SWALLOW TAIL 45.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>jig<\/td><\/td>Ador<\/td>\n<\/tr>\n
The Swallowtail Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Edor<\/td>\n<\/tr>\n
The Swedish Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj
\nDmin
\nDmaj<\/td>\n<\/tr>\n
SWEET ELLEN 2.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Sweet Georgia Brown<\/a><\/td>[]<\/a><\/td>swing<\/td>swing<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Sweet Marie<\/a><\/td>[]<\/a><\/td>modern<\/td>march<\/td>Erynn Marshall @ Midwest Banjo Camp<\/a><\/td>Amaj<\/td>\n<\/tr>\n
Swinging on a Gate<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Le talencourt<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Adriana Ciccone<\/a>
Claude Meth\u00e9<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Tam Lin @ Am<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Ren\u00e9e Doucet<\/a>
Neal Pointon apparently in disguise as a child<\/a><\/td>		Amin<\/td>\n<\/tr>\n
Tam Lin @ Dm<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Ren\u00e9e Doucet<\/a>
Neal Pointon apparently in disguise as a child<\/a><\/td>		Dmin<\/td>\n<\/tr>\n
Tansey’s Fancy<\/a><\/td>[]<\/a><\/td>English<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Tarbolton<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Edor<\/td>\n<\/tr>\n
Tater Patch<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Temperance Reel<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Tennessee Waltz<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>fiddle in Dmaj<\/a>
Lindsey Beckett w\/ vocal in Amaj<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
Tennessee Waltz @ lead sheet<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
There Cam’ a Young Man<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>jig<\/td><\/td>ADor<\/td>\n<\/tr>\n
Thin Time<\/a><\/td>[]<\/a><\/td><\/td>air<\/td><\/td>Dlyd<\/td>\n<\/tr>\n
This Old Man<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Three Thin Dimes<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Ti-Jean Morin<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Tico Tico<\/a><\/td>[]<\/a><\/td><\/td>tango<\/td><\/td>Amin
\nCmaj
\nAmaj<\/td>\n<\/tr>\n
TIDDLE TOOK TODFISH 17.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Timmy Clifford’s<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Tipping Back the Corn<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Chirps Smith<\/a>
Old Buck with Riley Baugus<\/a><\/td>		Amaj<\/td>\n<\/tr>\n
Tobin’s Favorite<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Tom Kruskal’s<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Fmaj<\/td>\n<\/tr>\n
Tombigbee<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Tommy Bhetty’s Waltz<\/a><\/td>[]<\/a><\/td>Irish<\/td>waltz<\/td>Altan (1990) The Red Crow, Track 10<\/td>Gmaj<\/td>\n<\/tr>\n
Too Young to Marry<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Tourdion<\/a><\/td>[]<\/a><\/td>Renaissance<\/td>tourdion<\/td><\/td>Edor<\/td>\n<\/tr>\n
Le Tourment<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td>Chris Wicker with Chris Wicker<\/a><\/td>Cmaj<\/td>\n<\/tr>\n
Trip to Durrow<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Kevin Burke et al<\/a>
Bruce Molsky OT version<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
A Trip To Mabou Ridge<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>march<\/td><\/td>Amix<\/td>\n<\/tr>\n
Trip to Pakistan<\/a><\/td>[]<\/a><\/td>Breton<\/td>an dro<\/td><\/td>Emin<\/td>\n<\/tr>\n
The Trippers<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>jig<\/td><\/td>Glyd<\/td>\n<\/tr>\n
Tripping Up The Stairs<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Tullymore Polka<\/a><\/td>[]<\/a><\/td>Irish<\/td>polka<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Tune For Mairead and Anna Ni Mhaonaigh<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td>Liz Carroll – D\u00e1ith\u00ed Sproule <\/a><\/td>Fmaj<\/td>\n<\/tr>\n
Turkey in the Straw<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Twenty-Eighth Of January<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Ador<\/td>\n<\/tr>\n
Two Rivers<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Ugly Duckling<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Up The River<\/a><\/td>[]<\/a><\/td>New England<\/td>jig<\/td><\/td>Gmaj
\nDmaj<\/td>\n<\/tr>\n
Utpick Waltz<\/a><\/td>[]<\/a><\/td>Texas<\/td>waltz<\/td>Jay Unger and Molly Mason<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Les Vagues du St-Laurent<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>Reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Valcartier jig @ 1<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Danse ce Soir<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Valcartier jig @ 2<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>jig<\/td>Eric Favreau<\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Valley Forge<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmix<\/td>\n<\/tr>\n
Valse des Bois<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Emin<\/td>\n<\/tr>\n
La valse du chef de gare<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>Andr\u00e9 Brunet lesson<\/a>
Celtic Fiddle Festival<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
La valse du chef de gare @ with ornaments<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>Andr\u00e9 Brunet lesson<\/a>
Celtic Fiddle Festival<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Valse-Clog Guilmette<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>massed fiddles with Pierre Chartrand<\/a><\/td>Bmin
\nDmaj<\/td>\n<\/tr>\n
Valse Gisele<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>D<\/td>\n<\/tr>\n
Valse Gisele @ fancy<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>D<\/td>\n<\/tr>\n
Valse des Jeunes Filles<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>Malcolm Dalglish & Grey Larsen<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Valse des jouets<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>F-F Roy & \u00c9ric Beaudry<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
Valse laurencienne<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>house session<\/a>
Steve Jones teaching<\/a><\/td>		Bmin<\/td>\n<\/tr>\n
la Valse Laurencienne @ MS<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Bmin<\/td>\n<\/tr>\n
Valse laurencienne @ Raz<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td>house session<\/a>
Steve Jones teaching<\/a><\/td>		Bmin<\/td>\n<\/tr>\n
Valse Louis<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Valse des rubans<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec (Gasp\u00e9)<\/td>waltz<\/td>\u00c9douard Richard – “Musique gasp\u00e9sienne” <\/a><\/td>Gmaj<\/td>\n<\/tr>\n
Varvindar Friska<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>polska<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Vigers Polska<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>polska<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Viola Flood Blues<\/a><\/td>[]<\/a><\/td>modern<\/td>air<\/td>Ted & Catherine Parrish<\/a><\/td>Amin<\/td>\n<\/tr>\n
Violet<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Glyd<\/td>\n<\/tr>\n
Violet Tulloch Queen Of Lerwick<\/a><\/td>[]<\/a><\/td>Irish<\/td>barndance<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Violet Tulloch’s Welcome to the Crask of Aigas<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Vladi on the Trans-Siberian<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td>Lift Ticket<\/a><\/td>Gmix<\/td>\n<\/tr>\n
Waiting for Fish<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Waiting For Nancy<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Waiting For Nancy @ MadCoCo<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Walk Home<\/a><\/td>[]<\/a><\/td>modern<\/td>jig<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Walking Ower Da River<\/a><\/td>[]<\/a><\/td>Shetland<\/td>reel<\/td>[Scottish Tradition 4 Shetland Fiddle Music]w(https:\/\/youtu.be\/0khLum-XzYg)
on banjo!<\/a><\/td>		Amix<\/td>\n<\/tr>\n
Walls of St-Malo<\/a><\/td>[]<\/a><\/td>modern<\/td>gavotte<\/td>Becky Tracy<\/a><\/td>Bmin<\/td>\n<\/tr>\n
Waltz for a Winter Day<\/a><\/td>[]<\/a><\/td>modern<\/td>waltz<\/td>Last Gasp\u00e9, Good to the Last Gasp<\/td>Dmin<\/td>\n<\/tr>\n
Waltz Ukranian Style<\/a><\/td>[]<\/a><\/td>Ukraine?<\/td>Waltz<\/td><\/td>Amin<\/td>\n<\/tr>\n
WALTZING WITH THE ONE I LOVE 27.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>waltz<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
The Warlocks<\/a><\/td>[]<\/a><\/td>Cape Breton<\/td>strathspey<\/td><\/td>Emin<\/td>\n<\/tr>\n
Waynesboro<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Doc Roberts w\/ John Booker<\/a>
Dave Bing<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
West Fork Gals<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
West Leyden Waltz @ Lamancusa<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
West Leyden Waltz @ Miller<\/a><\/td>[]<\/a><\/td><\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Western Country<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Westphalia Waltz<\/a><\/td>[]<\/a><\/td>Texas<\/td>waltz<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Wha’ll Be King But Charlie<\/a><\/td>[]<\/a><\/td>Scottish<\/td>jig<\/td><\/td>Amin<\/td>\n<\/tr>\n
WHAT THE DEVIL AILS YOU 39.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>shottish<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
WHISKEY 35.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
Whiskey Before Breakfast<\/a><\/td>[]<\/a><\/td>Metis<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Whiskey Before Breakfast @deJarlis<\/a><\/td>[]<\/a><\/td>M\u00e9tis<\/td>reel<\/td>Andy DeJarlis<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
White Buffalo<\/a><\/td>[]<\/a><\/td>M\u00e9tis<\/td>reel<\/td>Jamie Fox-picnic table<\/a><\/td>Emin<\/td>\n<\/tr>\n
The White Cockade<\/a><\/td>[]<\/a><\/td>fife and drum<\/td>march<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The White Petticoat<\/a><\/td>[]<\/a><\/td><\/td>jig<\/td><\/td>Emin<\/td>\n<\/tr>\n
Wicked Waterfall<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Dmin<\/td>\n<\/tr>\n
Wild Rose of the Mountain<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>J. P. Fraley<\/a>
J.P. & Annadeene Fraley w\/ Aly Bain<\/a><\/td>		Amix<\/td>\n<\/tr>\n
Willafjord<\/a><\/td>[]<\/a><\/td>Shetland<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Willie Coleman’s Jig<\/a><\/td>[]<\/a><\/td>Irish<\/td>jig<\/td><\/td>Gmaj<\/td>\n<\/tr>\n
The Wind that shakes the Barley<\/a><\/td>[]<\/a><\/td>Irish<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
THE WIND THAT SHOOK THE BARLEY 23.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>hornpipe, reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Winder Slide<\/a><\/td>[]<\/a><\/td><\/td>reel<\/td>Rayna Gellert, “Ways of the World” Yodel 023<\/td>Dmaj<\/td>\n<\/tr>\n
Wing Commander Donald MacKenzie’s Reel<\/a><\/td>[]<\/a><\/td>Scottish<\/td>reel<\/td><\/td>Amaj<\/td>\n<\/tr>\n
Wisconsin Pols<\/a><\/td>[]<\/a><\/td>Scandinavian<\/td>hambo<\/td><\/td>Ddor<\/td>\n<\/tr>\n
The Wizard’s Walk<\/a><\/td>[]<\/a><\/td>modern<\/td>reel<\/td><\/td>Emin<\/td>\n<\/tr>\n
Woodchopper’s Reel<\/a><\/td>[]<\/a><\/td>Maritimes<\/td>reel<\/td>la Famille Soucy<\/a>
 Minnesota Bluegrass and Old-time Music Association<\/a><\/td>		Dmaj<\/td>\n<\/tr>\n
The Wren<\/a><\/td>[]<\/a><\/td>Breton<\/td>an dro<\/td><\/td>Emin<\/td>\n<\/tr>\n
The Wren @ Bm<\/a><\/td>[]<\/a><\/td>Breton<\/td>an dro<\/td><\/td>Bmin<\/td>\n<\/tr>\n
Year of Jubilo<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Dmaj<\/td>\n<\/tr>\n
Yellow Barber<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Dave Bing<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
THE YELLOW HEIFER 9.<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td><\/td>Amix<\/td>\n<\/tr>\n
Yellow Rose of Texas<\/a><\/td>[]<\/a><\/td>American Old Time<\/td>reel<\/td>Cathy Fink, Marcy Marxer, Janie Rothfield and Ralph Gordon<\/a><\/td>Dmaj<\/td>\n<\/tr>\n
You Married My Daughter<\/a><\/td>[]<\/a><\/td>Qu\u00e9bec<\/td>reel<\/td>Walt Koken<\/a>
Tommy Duchesne<\/a><\/td>		Gmaj<\/td>\n<\/tr>\n
Yvon Dumont<\/a><\/td>[]<\/a><\/td>M\u00e9tis<\/td>reel<\/td>Jamie Fox<\/a><\/td>Emin<\/td>\n<\/tr>\n
Zabalka<\/a><\/td>[]<\/a><\/td>Eastern European<\/td>reel<\/td><\/td>Ddor<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Click on the tune name to see the dots. Click on a link in the “Recordings” column to hear or see a performance of the tune. Use your browser’s “back” button to return to this page. Often the easiest way to find a tune is to filter the list using the search box, or sort […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":332,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-485","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=\/wp\/v2\/pages\/485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=485"}],"version-history":[{"count":9,"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=\/wp\/v2\/pages\/485\/revisions"}],"predecessor-version":[{"id":1034,"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=\/wp\/v2\/pages\/485\/revisions\/1034"}],"up":[{"embeddable":true,"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=\/wp\/v2\/pages\/332"}],"wp:attachment":[{"href":"https:\/\/almsforoblivion.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}